by Louisa May Alcott ; edited by Liz Rosenberg ‧ RELEASE DATE: Oct. 24, 2023
Lively, occasionally grim, and genuinely funny essays from a beloved author.
Essays from the author of Little Women.
Even occasional readers know that Louisa May Alcott (1832-1888) wrote Little Women. Few may be aware that she was also a remarkably witty essayist. This volume collects some of Alcott’s nonfiction, which editor Rosenberg calls “even more brilliant—or perhaps more consistently brilliant—than her novels and stories.” The book includes three long essays and excerpts from six additional pieces. The snippets, including “Happy Women,” where she begins, “One of the trials of womankind is the fear of being an old maid,” and then cites several women who did just fine without a man, have their pleasures, but the highlights are the longer essays. “How I Went Out to Service” describes the weeks she spent working for “a tall, ministerial gentleman” in search of “a companion for his sister,” whom he called “a martyr to neuralgia.” The hilarious “Transcendental Wild Oats” chronicles the escapades of family members who had no talent for farming yet tried to build an Eden in the woods. The most poignant piece is “Hospital Sketches,” Alcott’s account of her service as a nurse during the Civil War, an essay Jane Smiley, who provides the preface, describes as “maybe the most idiosyncratic and interesting depiction of war that I have ever read.” Although it contains dated racial terms that make for uncomfortable reading, this essay gives a then-unprecedented view of war from the hospital ward, where Alcott describes harrowing conditions (“the floor covered with the more disabled, the steps and doorways filled with helpers and lookers-on”). Many of the pieces contain moments of humor, as when a hospital attendant prepares “a fearful beverage, which he called coffee, and insisted on sharing with me.” The author also proves that some things haven’t changed, as when she writes about a woman working alongside men: “The men got two francs a day; the woman half a franc.”
Lively, occasionally grim, and genuinely funny essays from a beloved author.Pub Date: Oct. 24, 2023
ISBN: 9781912559435
Page Count: 168
Publisher: Notting Hill Editions
Review Posted Online: Aug. 4, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Bob Woodward ‧ RELEASE DATE: Oct. 15, 2024
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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