by Louise Borden & illustrated by Adam Gustavson ‧ RELEASE DATE: May 1, 2001
An author visit becomes an epiphany for at least one third-grader in this purposeful but not heavy-handed episode. Eddie has been looking forward to the impending visit for weeks, because he has a fine question to ask: “How do you write books that have parts meant for me?” But the author—who, Eddie notes, “just looked like a teacher or a mom”—doesn’t call on him during the question-and-answer period after her auditorium presentation. Eddie’s disappointment vanishes, though, when she comes up to him in the hall afterward, and gives him a thoughtful answer to his question. Plainly drawing from personal experience, Borden (Good Luck, Mrs. K!, 1999, etc.) provides gentle, general guidance on how a school should prepare for and conduct an author’s visit, while capturing both the sense of occasion it should entail and one sensitive child’s thoughts and feelings about what he’s read. Gustavson conveys Eddie’s ups and downs in straightforwardly realistic watercolors. For hilarious contrast, pair this heavenly encounter with Author’s Day (1993), Daniel Pinkwater’s school-visit-from-hell account. (Picture book. 6-9)
Pub Date: May 1, 2001
ISBN: 0-689-83405-5
Page Count: 40
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
Share your opinion of this book
More by Louise Borden
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Louise Borden ; illustrated by Geneviève Godbout
by Lois Lowry & illustrated by Middy Thomas ‧ RELEASE DATE: Sept. 1, 2002
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
Share your opinion of this book
More by Lois Lowry
BOOK REVIEW
by Lois Lowry
BOOK REVIEW
by Lois Lowry ; illustrated by Jonathan Stroh
BOOK REVIEW
by Lois Lowry
by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Share your opinion of this book
More by Meredith Hooper
BOOK REVIEW
by Meredith Hooper & illustrated by Bee Willey
BOOK REVIEW
by Meredith Hooper & illustrated by Stephen Biesty
BOOK REVIEW
by Meredith Hooper & illustrated by Stephen Biesty
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.