In a novel concerned with connection and trust, Candlish fails to connect with readers on either level, serving up...
When a woman discovers strangers moving into her London home, her estranged husband and sons nowhere to be seen, it’s only the beginning of the nightmare that will upend her life.
Fiona “Fi” Lawson loves her house in the fictional posh Alder Rise neighborhood almost as much as she loves her picture-perfect family: husband Bram and adorably rambunctious sons Harry and Leo. Candlish (The Swimming Pool, 2016, etc.) digs deep for both suspense and compassion but comes up empty with Fi, whose almost stubborn cluelessness about the state of her marriage (Bram is a serial adulterer, among other things) and, later, her insistence on being a victim (so much so that she goes on a podcast called The Victim) make her a sour protagonist at best. When Fi catches Bram having sex with someone else in the children’s garden playhouse, she throws him out but decides to try a custody arrangement known as a bird’s nest, where the children stay in the family home and the parents alternate living there and at a newly acquired flat. While the setup seems great on paper, it doesn’t take into account the depths of Bram’s lies—the yearlong driving ban he’s hidden from Fi soon becomes the least of his concerns—and the lengths he’ll go to save himself. With the narrative confusingly split into sections from Fi’s podcast segment, a Word document that’s allegedly Bram’s suicide note, and perspectives from both spouses, it’s difficult for readers to keep a firm grip on the timeline and to truly care as Bram enters into an unnecessarily complicated blackmail scheme and Fi remains annoyingly oblivious on all fronts even when Bram disappears, having sold the Alder Rise home without her knowledge.
In a novel concerned with connection and trust, Candlish fails to connect with readers on either level, serving up characters so wrapped in their own problems that “family” is merely a word to them.Pub Date: Aug. 7, 2018
ISBN: 978-0-451-48911-1
Page Count: 416
Publisher: Berkley
Review Posted Online: May 28, 2018
Kirkus Reviews Issue: June 15, 2018
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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