A nicely paced, wryly intelligent novel with sharp insights into human behavior.
An upscale London neighborhood becomes the setting for escalating class warfare in Candlish's (Our House, 2018, etc.) acidly funny and disturbing novel of domestic suspense.
With a structure reminiscent of Liane Moriarty’s Big Little Lies, Candlish's latest opens with a teaser about the horrific, unexpected death of an unidentified character and then backtracks eight weeks to examine the events that precipitated that death on a quiet little block of Lowland Way. Here live upwardly mobile Ralph and his take-charge wife, Naomi, Ralph's slightly less successful brother, Finn, and his reticent wife, Tess, stressed young parents Ant and Em, and determined Sissy, who has turned her home into a bed-and-breakfast after her husband's decampment. Into this uncertain Eden arrives unrepentant commoner Darren, who promptly turns the house he has inherited from his Aunt Jean into a “disaster zone” of a construction site, blasting hard rock at all hours, taking up valuable parking spaces with the used cars he sells, and generally tampering with “the solid, unassailable respectability” of the neighborhood. Soon enough, he and his “other half,” Jodie, have gotten on the last nerve of everyone on the block, and every neighborhood conversation turns to a heated discussion of ways, legal and ethical or not so much, to get rid of him. Candlish slyly examines the primitive urges behind her supposedly civilized characters as the novel inexorably turns from light comedy of manners to something much darker. While some of the turns of the plot strain credulity, and some of the characters are better developed than others, Candlish convincingly portrays the effects of pressure on this social microcosm as fault lines open both within the characters and in their relationships. Although Darren is not, like the others, seen from the inside, Candlish allows the reader to glimpse the complicated man behind the caricature his neighbors create.
A nicely paced, wryly intelligent novel with sharp insights into human behavior.Pub Date: June 11, 2019
ISBN: 978-0-451-48914-2
Page Count: 352
Publisher: Berkley
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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