by Louise Hawes & illustrated by Rebecca Guay ‧ RELEASE DATE: June 26, 2006
Inspired by an ancient tale (probably “The Story of the Green Jewel,” although the author does not name it), and subtitled “The Oldest Story in the World” (which other sources identify as Gilgamesh), this is the story of Muti, “daughter of Egypt,” who from birth has worn the precious turquoise-and-carnelian necklace crafted by her loving father. When, at age 13, this shapely, Cleopatra-kohled beauty goes “to work for King Snefru, mighty Pharaoh of all Egypt,” the chiseled young ruler, impressed by her grace and strength (laundering whilst dressed and bejeweled to the nines), insists that she head an all-girl rowing crew. This leads to the loss of her necklace, her death-defying refusal to continue to power the Pharaoh’s boat and the Royal magician’s Moses-like parting of the waters of the lake to allow Muti to retrieve her treasure. Evocative pretend-papyrus papers and glowing, detailed watercolor-and-gouache pictures of the comely Pharaoh, his serving girls in richly adorned, diaphanous dresses and Egyptian icons galore give a fairy-tale feel to this immoderately romantic telling. (Picture book. 5-9)
Pub Date: June 26, 2006
ISBN: 0-618-53583-7
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
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by Louise Hawes
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by Monica Clark-Robinson ; illustrated by Frank Morrison ‧ RELEASE DATE: Jan. 2, 2018
A powerful retrospective glimpse at a key event.
A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.
Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.
A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)Pub Date: Jan. 2, 2018
ISBN: 978-0-544-70452-7
Page Count: 40
Publisher: HMH Books
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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by Monica Clark-Robinson ; illustrated by Laura Freeman
by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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by Marie Bradby & illustrated by Ted Rand
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