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TRESPASSES

Kennedy’s characters are born and live under dark stars; she illuminates the unescapable harms that occur in that darkness.

A clandestine affair unfolds with tragic inevitability during the Troubles in Northern Ireland.

Cushla Lavery, in her 20s, lives with her mother on the outskirts of the battlefield that was Belfast in the 1970s. Her days are spent teaching young children in a Catholic school, and her evenings are spent tending to her mother’s alcohol-fueled and increasingly erratic behavior as well as helping out in the family’s pub. An encounter with Michael Agnew, an older, married, Protestant—three strikes in Cushla’s world!—barrister who frequents the bar, leads her to a romantic entanglement with unplanned repercussions. Cushla is also drawn into the embattled and miserable family circumstances of spirited Davy, one of her beloved students. Davy’s parents (and by unfortunate extension, their children) are almost universally loathed due to their mixed Protestant-Catholic union. Cushla’s efforts to provide aid and comfort to them after Davy’s father is the victim of a savage partisan attack also lead to unintended, devastating consequences. Kennedy’s debut novel captures the odd ability of war-zone residents to be simultaneously adrenalized by and resigned to their environment. She also, nonchalantly, delivers the mundane details of generations of terrorism gone amok: The fire brigade may be warned in advance of a fire bombing, because what is the use of destroying a perfectly good house when sending a warning message to its residents? The incremental and corrosive effects of constant violence, and the vigilance required in its face, are keenly felt by Kennedy’s characters as she explores the roles of violence and chance in their complicated lives in a circumstance where it’s “not about what you do” but whether you're one of “us” or one of “them.”

Kennedy’s characters are born and live under dark stars; she illuminates the unescapable harms that occur in that darkness.

Pub Date: Nov. 1, 2022

ISBN: 978-0-593-54089-3

Page Count: 304

Publisher: Riverhead

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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