Like many impressive zombie narratives, this tale wrestles with humans’ deeper connection to the undead.
This horror novel sees a trio of friends embark on a road trip during a zombie apocalypse.
In Tucson, Arizona, Desré Dupuy is an Air Force veteran in love with Blake Edwards, a musicology student. Blake’s best friend, Granville Preston Gordon, is a former Navy MP, and together they form the Trio de Dio. They share a weekly movie night featuring zombie flicks. Though Gran asserts that “all of life is in those movies,” Des is sick of the cheesy Hollywood productions. She convinces her friends to celebrate the birthday of Marie Laveaux, a 19th-century Condomblé priestess and Acadian heroine. They create an altar, burn their troubles (like Blake’s eviction notice) in an abalone shell, and dance to banda music. Despite being enlightened, Gran insists that a zombie apocalypse is near because he dreamed it—and his dreams always come true. The next morning, a horrible stench assaults the Trio. Outside the crummy apartment complex, the dead have indeed risen. So begins the Trio’s journey, taking them through Texas and Louisiana and toward Des’ relatives in South Carolina, who live on the “Fish-Camp” reservation. Along the way, natural disasters strike and new friends pop up. In this series opener, Curaçao (Walker, 2018), Edwards (Strange Diary Days, 2018), and debut author Kalkwarf enter the well-trod genre with narrative guns blazing. They give longtime fans exactly what they crave with descriptions like “part of her face was gone, blown away, from the looks of it,” and “all her internal organs were missing. It was just a body cavity…spine showing through.” The overall tone is light, sharpened with self-awareness, as in the line “A fire axe, just waiting there for me like it had been drawn in by some supernatural narrator.” Sometimes the tendency to tell rather than show infects the proceedings, as with a rant about Des’ awful neighbor, Dino. But the theme that family is important—and that all humans are related—is an excellent one. The notion that zombies represent a modern-day Ragnarok, humanity’s natural end, is as captivating as it is terrifying.
Like many impressive zombie narratives, this tale wrestles with humans’ deeper connection to the undead.Pub Date: N/A
ISBN: 978-1-5255-4540-5
Page Count: 300
Publisher: Bothsams Publishing
Review Posted Online: Sept. 19, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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