The obstacles inherent in finding true love, fighting terminal cancer, reconciling a broken family and maintaining the family farm are resolved—all within a few weeks—in this latest schmaltz-fest from Rice (Home Fires, 1995, etc.). Having just been given a clean bill of health after battling a brain tumor, 37-year-old Sarah Talbot is treated for her birthday to an airplane ride over rural New York. Her pilot, the dashing Will Burke, takes a fast shine to her rhapsodic happiness, which alchemizes his leaden gloom into golden hope. That’s just what Will needs since the disintegration of his family: After his son Fred drowned (Will blames himself—he’s a trained Navy rescue operative), he and his wife divorced, he quit the Navy to become a charter pilot, and his teenage daughter Susan lost, or seemed to lose, her marbles. Sarah and Will meet again by chance at a country fair, where Sarah hires him to take her back to Elk Island for Thanksgiving. Dangling off the coast of Maine, this remote spot was Sarah’s childhood refuge; her teenage son and father now live there. Sarah longs to bring the runaway Mike back home with her and to reconcile with the father who’s never forgiven her for leaving the island. Meanwhile, Will’s daughter Susan stows away for the trip to escape the dreariness of life with her tight-lipped mother and pretentious stepfather. The island is a fantasy for all concerned. Though they barely know each other, Sarah and Will fall madly in love; Susan’s mesmerized by everything—island life, Sarah, and handsome Mike. When Mike falls through an iced-over pond, Will even manages to save him. But nothing this good, of course, can last. An unbelievable death walk down the aisle tops off this syrupy concoction. (Author tour)
Pub Date: Jan. 12, 1999
ISBN: 0-553-11063-2
Page Count: 336
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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