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LAST NIGHT

Take a deep breath and dive into this foreboding tale set on Rhode Island’s seashore.

A prolific author blends characters old and new in a thriller tied to the destructive powers of greed and jealousy.

Rice’s latest novel literally starts with a bang. Acclaimed artist Maddie Morrison—her level of fame is compared to that of Andy Warhol and Banksy—is fighting her way through a raging blizzard on her way to meeting someone outside a historic hotel situated on Rhode Island’s coastline. Within seconds, she’s shot execution-style, and the killer finds her 6-year-old daughter, CeCe, hiding in the snow. The killer kidnaps CeCe, then Maddie’s sister discovers her body, and the race to catch a killer and rescue CeCe explodes on the page. Rice fans will welcome the return of affable detective Conor Reid and Kate Woodward, his art historian girlfriend, who were featured in The Shadow Box (2021) and Last Day (2020), Rice’s two most recent thrillers. The vast number of people who might want Maddie dead becomes shockingly evident as the investigation progresses. A gold-digging soon-to-be ex-husband tops the list, but Rice keeps the suspect pool growing as the tense search for CeCe continues and white- and blue-collar criminals crawl out of the proverbial woodwork. Rice’s strengths as a storyteller pulse through this thriller, which she leavens with engaging observations on the art world, Rhode Island’s natural beauty, and, most of all, what it means to be a sister, one of her most popular themes. If her characters’ dialogue sometimes feels unnatural and stilted, their intense emotions and Rice’s propulsive plotting easily make up for it. Maddie’s murder is solved, but the motives and the complexity of the surprising conspiracy behind it will stay with readers.

Take a deep breath and dive into this foreboding tale set on Rhode Island’s seashore.

Pub Date: Feb. 1, 2024

ISBN: 9781542030199

Page Count: 334

Publisher: Thomas & Mercer

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE GREY WOLF

One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.

A routine break-in at the home of Sûreté homicide chief Armand Gamache leads slowly but surely to the revelation of a potentially calamitous threat to all Québec.

At first it seems as if nothing at all triggered the burglar alarm at Gamache’s home in Three Pines; it was literally a false alarm. It’s not till he receives a package containing his summer jacket that Gamache realizes someone really did get into his house, choosing to steal exactly this one item and return it with a cryptic note referring to “some malady…water” and “Angelica stems.” Having already refused to meet with Jeanne Caron, chief of staff to Marcus Lauzon, a powerful politician who’s already taken vengeance on Gamache and his family for not expunging his child’s criminal record, Gamache now agrees to meet with Charles Langlois, a marine biologist with ties to Caron who confesses to a leading role in stealing Gamache’s jacket. Their meeting ends inconclusively for Gamache, who’s convinced that Langlois is hiding something weighty, and all too conclusively for Langlois, who’s killed by a hit-and-run driver as he leaves. The news that Langlois had been investigating a water supply near the abbey of Saint-Gilbert-Entre-les-Loups sends Gamache scurrying off to the abbey, where the plot steadily thickens until he’s led to ask how “an old recipe for Chartreuse” can possibly be connected to “a terrorist plot to poison Québec’s drinking water.” That’s a great question, and answering it will take the second half of this story, which spins ever more intricate connections among leading players that become deeply unsettling.

One of those rare triple-deckers that’s actually worth every page, every complication, every bead of sweat.

Pub Date: Oct. 29, 2024

ISBN: 9781250328137

Page Count: 432

Publisher: Minotaur

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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