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THE SHADOW BOX

Rice’s compelling heroine and crisp prose lift her brisk thriller above the formulaic.

An artist comes back from the dead to help catch her killer.

Addressing the reader with disconcerting directness, Claire Beaudry Chase explains that she’s died. This turns out to be a half-truth; she’s awakened after having been strangled and left for dead by a man in a black mask—whom she presumes to be Griffin, her husband. Claire is expected that evening at the Woodward-Lathrop Gallery for the opening of her new art exhibit, and when she doesn't arrive, Griffin, a Connecticut State’s Attorney and candidate for governor, shows appropriate concern. Conor Reid, a detective with the state police, is at the opening with his girlfriend, Kate Woodward, who owns the gallery, and his sister-in-law, Jackie, who runs it. Claire goes into hiding and slowly recovers, her belief in Griffin's guilt intensified by the memory of his girlfriend Ellen's suspicious suicide a generation ago. Meanwhile, Conor begins to investigate what happened to Claire the night of the opening. Claire’s revelations alternate with accounts of Conor’s probe and the investigation of a second mystery. A couple sailing on Long Island Sound discovers Dan Benson clinging to what’s left of his boat. His wife, Sallie, and their children, Gwen and Charlie, are missing. Chapters from Sallie’s perspective, leading up to the incident, are folded in. Rice front-loads the plot and introduces a daunting number of characters early on, but Claire’s absorbing narration keeps the story afloat until some important distinctions and connections become clearer. Once a link between the two stories is established, Conor’s probe proceeds quickly, aided by Jackie and eventually the resurrected Claire.

Rice’s compelling heroine and crisp prose lift her brisk thriller above the formulaic.

Pub Date: Feb. 1, 2021

ISBN: 978-1-5420-0955-3

Page Count: 368

Publisher: Thomas & Mercer

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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THE CROSSROADS

More than any of his earlier cases, the comatose hero’s 26th adventure bears the hallmarks of a formal detective story.

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Wyoming Game and Fish Warden Joe Pickett has been shot plenty of times before. But this time may be the last.

As Joe hovers between life and death in a Billings hospital, Box indicates that Dorn Peddy and James Dale O’Bryan are the two men who ambushed him, shot him, and left him for dead. But he doesn’t reveal who hired them or why. That’s left up to Joe’s three daughters: bird-abatement firm chief executive Sheridan, Bozeman private eye April, and University of Wyoming undergrad Lucy. Since the man who reported the incident to the Twelve Sleep County Sheriff’s Department has disappeared, the most that newly appointed Sheriff Steve Sondergard can do is to warn Sheridan and her sisters away from the case. But the fact that both the shooters and the witness seem to have come from one of exactly three places presents an obvious appeal to the younger Picketts, who plan to each visit one place and question the owners simultaneously before they can warn each other that anyone’s coming. The only problem is that all the possible suspects—billionaire Michael Thompson and his wife, Brandy, of the Double Diamond Ranch; ranchers John and Shelby Bucholz, of the Bucholz Cattle Company; and secretive sisters Lisa and Lainie McElwee, of McElwee Land and Cattle Ranch—act equally guilty. As Box unspools a series of flashbacks showing what Joe was up to in the weeks before the ambush, one question assumes paramount importance: Can Joe’s daughters identify which of them is behind the plot to murder their father before the hired gunmen visit the hospital and try again?

More than any of his earlier cases, the comatose hero’s 26th adventure bears the hallmarks of a formal detective story.

Pub Date: Feb. 24, 2026

ISBN: 9780593851098

Page Count: 352

Publisher: Putnam

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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