by Luc Ferry ‧ RELEASE DATE: June 1, 1995
Should animals have specific legal rights? Should trees have standing? Just how far do our responsibilities go toward nature, asks Ferry (Philosophy/Sorbonne) in this erudite and entertaining critique of environmentalism. Ferry (Political Philosophy, not reviewed, etc.) starts this study of environmental ethics back in the 16th century, when troublesome beetles and leeches were put on trial, when the rats of Autun were issued summonses—well, at least they had their day in court. Such evenhandedness was dealt a death blow by Cartesianism, that perfect model of anthropocentrism in which all rights went to man and none to nature. Then Utilitarianism became ideologically ascendant and the notion that animals should not suffer—as in the Utilitarian ``least suffering by the least number''—became common currency. These two schools continue to shape our relationships with nature (though Ferry details other influences: Rousseau and Kant, Aristotle and Heidegger, even the National Socialists). Now environmental activists are demanding a new ecological mindset, one in which nature writ large has the same rights as humans. At the far end of this movement are the deep ecologists, who question whether humans will ever be able to live in harmony with nature. Ferry finds them appalling: antihuman, with tendencies toward authoritarianism, dogmatism, and a strong anticulture streak. And just who are they, Ferry would like to know, to decide exactly what Nature wants, anyway? Ferry's advice is to mingle cosmopolitanism with rootedness, a ``synthesis of raw material and cultivated ideas,'' to avoid any degradation in the quality of life. Humans may have trashed the Earth, says Ferry, but it is also humans who have the capacity to set things right. Though his wit can fail him (``No one really expects Brigitte Bardot to develop a coherent doctrine as to the rights [and responsibilities?] of animals,'' he smirks), for the most part this is a closely argued, well-documented, sensitive critique.
Pub Date: June 1, 1995
ISBN: 0-226-24482-2
Page Count: 176
Publisher: Univ. of Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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More by Luc Ferry
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by Luc Ferry translated by Theo Cuffe
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by Luc Ferry
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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