A guided tour through Manhattan's demimonde of the last century, conducted with exquisite relish by East Village journalist Sante (Esquire, The Village Voice, etc.), who speaks with all the authority of an eyewitness. Between the opening of the Erie Canal in 1825 and the passage of the Volstead Act in 1919, N.Y.C. grew from a minor port to an international metropolis. The cost of this development was immense: Real-estate speculation transformed whole tracts of open farmland into city blocks overnight; inadequate sewage and sanitation systems bred perennial epidemics; municipal government passed from the hands of patrician amateurs to those of ruthless demagogues; and the number of poor swelled far beyond the ability of the city to absorb and provide for them. Sante paints a portrait of extraordinary corruption and vitality, which entices almost to the degree it horrifies. ``This book can be seen as an attempt at a mythology of New York,'' he claims at the start, but it is a mythology of antiheroes in which no one comes off terribly well. We are presented, in four sections, with a look at the changing topography of the city (``Landscape''), the development of the various entertainments—in decreasing order of wholesomeness and legality—for which the city was famed (``Sporting Life''), the political and criminal forces that struggled to gain ascendancy during this period (``The Arm''), and—most hauntingly—the drifters, orphans, bohemians, and assorted lumpen masses who made up the ranks of the forgotten and despised (``The Invisible City''). The vignettes are priceless: the brothel managed by an ex- seminarian, complete with Bibles in every room and daily prayers at noon and midnight; the ``Doctor's Riot'' of 1788 (set off by rumors of grave-robbing in the medical schools), which ended in the massacre or forcible eviction of every physician in town. A rich delight. And for hapless New Yorkers who find themselves worn down by the present-day chaos of their city, Sante provides a strangely heartening reminder that nothing much has changed. (Nicely illustrated with rare photographs of the period- -some seen.)
Pub Date: Sept. 1, 1991
ISBN: 0-374-19414-9
Page Count: 326
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1991
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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