by Lucas Bessire ‧ RELEASE DATE: May 18, 2021
Less a polemic than a moving, melancholy, environment-focused memoir.
The author returns to his ancestral home in western Kansas to discover that the Dust Bowl of the 1930s is returning.
Bessire, a professor of anthropology at the University of Oklahoma, reminds readers that the High Plains supported only marginal dry farming until after World War II, when the newly discovered Ogallala Aquifer, which extends from South Dakota to Texas, produced an irrigation bonanza that now supports one-sixth of the world’s grain production. Like fish, forests, and buffalo, it seemed inexhaustible—until it wasn’t. Massive withdrawal is shrinking the Ogallala, and many wells are running dry. Because it might hamper economic growth, conservation is often dismissed as unfeasible. Farmers and ranchers receive strict water quotas, but the amount guarantees withdrawals vastly exceed what is needed to replenish. Polls show that the majority of farmers want to save the aquifer and hope the government will take necessary action. One barrier is the “midlevel bureaucracy.” Only landowners vote on water policy, so wealthy, anti-conservation “water miners” dominate local boards. As a result, “regional water governance is a form of pay-to-play democracy reserved for the already privileged.” Traveling the country with his father, Bessire relearned the land’s unedifying distant history (Native genocide) and recent history: takeover by large agribusinesses with towns dominated by slaughterhouses, hog barns, feedlots, and dairies employing low-paid migrant labor. The author vividly describes dry riverbeds, abandoned fields, and, most poignantly, working farmers and ranchers, few of whom are prospering. Most work under contract to industrial agribusinesses. Bessire chronicles his interviews with a few villains and a few idealists but mostly with hardworking, good-humored, often cynical men (and a few women) doing their best in an environment often beyond their control. The author eschews the traditional how-to-fix-it conclusion. Readers may perk up when he describes impressive technical advances in saving water only to learn that they’re mostly devoted to extending the life of depleted wells.
Less a polemic than a moving, melancholy, environment-focused memoir.Pub Date: May 18, 2021
ISBN: 978-0-691-21264-7
Page Count: 248
Publisher: Princeton Univ.
Review Posted Online: Feb. 2, 2021
Kirkus Reviews Issue: March 1, 2021
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
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