by Lucas Graves ‧ RELEASE DATE: Sept. 6, 2016
A keenly observed visit to a new world whose geography we can now better comprehend.
A journalism professor charts the advent and ubiquity of fact-checking in our polarized political present and the profoundly altered world of journalism.
Co-author of The Story So Far: What We Know About the Business of Digital Journalism (2011), Graves (Journalism and Mass Communication/Univ. of Wisconsin) returns with a reasoned and reasonable text that will appeal—due to its scholarly tone, diction, and format—mostly to an academic audience. Followed by more than 70 pages of notes and bibliography, the text employs the familiar format of introduction, conclusion, section introductions, and summaries—much repetition, much of it superfluous. Still, the author uses a personal voice at times, especially when recounting his volunteering at PolitiFact, one of the three fact-checking organizations on which he focuses (the others are FactCheck.org and the Washington Post’s Fact Checker). Graves chronicles his experience fact-checking a Glenn Beck claim, using his experience to clarify how fact-checkers operate, how they reach conclusions, how their organizational superiors must sanction the findings, and how vitriol invariably ensues. (To his credit, the author reproduces some unkind responses to his Beck research.) Readers on both sides of the political spectrum dislike findings that contradict what they believe—a very human reaction, as Graves demonstrates. The author spent a lot of time interviewing fact-checkers, helped organize a conference where fact-checkers discussed the issues facing their fairly recent profession, and raised issues of all sorts, some quite uncomfortable. Do, for example, fact-checkers focus more on one party or the other? No. Do they tend to label as false or misleading the claims made by one party? Yes—the GOP appears to suffer more. Graves also examines the 2016 primary season and the many challenges presented by Donald Trump.
A keenly observed visit to a new world whose geography we can now better comprehend.Pub Date: Sept. 6, 2016
ISBN: 978-0-231-17507-4
Page Count: 320
Publisher: Columbia Univ.
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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