Perfect for suspense fans who’d normally tune out the minor characters the author has preemptively scratched.
A suspicious death pits two strong, determined mothers of children with autism against each other.
It’s a sign of the relentlessly sharp focus of Berry that although the woman bashed to death at Hurricane Creek is Annabelle Chapman, the wife of the mayor, the mayor himself makes no appearance and doesn’t even get a first name. Instead, attention instantly focuses on wealthy, well-connected Genevieve Hill and her son, Mason, who are both found at the scene, with Mason, a 14-year-old with the body of an adult and the mind of a 4-year-old, bending over the body. Planning to appoint a guardian ad litem for Mason, Detective Layne calls on pediatric psychologist Casey Walker, a specialist in autism whose daughter, Harper, is on the spectrum. By the time that plan falls through, single mother Casey has developed a fascination bordering on obsession with Genevieve, a former Miss Alabama whose stockbroker husband, John, died six years ago. Despite, or maybe because of, Genevieve’s well-documented devotion to her son, Casey becomes convinced that something is off about her and the relationship, and she presses to find out more by talking with Savannah Hill, a first-year student at Ole Miss who has plenty to say about her mother, and examining the unexpectedly revealing records of the intelligence tests Mason has taken over the years. As Casey and Genevieve circle each other with mounting hostility, it becomes more and more obvious what really happened to Annabelle Chapman; the only secret that remains hidden is the motive, and it’s a humdinger.
Perfect for suspense fans who’d normally tune out the minor characters the author has preemptively scratched.Pub Date: June 1, 2022
ISBN: 978-1-54203-546-0
Page Count: 284
Publisher: Thomas & Mercer
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.
A luxury liner bound for New York in 1924 becomes the scene of a twisty golden age pastiche.
When an unnamed third-class passenger discovers the body of an elderly man at the bottom of an exterior flight of stairs aboard the Endeavour, Capt. McCrory insists it must be an accident. But James Temple, a Scotland Yard detective who just happens to be aboard, says that no one would have ventured to the outdoor steps in the rain without a coat, so the death should be treated as suspicious. Unable to stop Temple from investigating, McCrory assigns ship’s officer Timothy Birch to accompany him, and Birch promptly becomes the world’s most unwilling Dr. Watson, constantly battling Temple over theories and procedures. Anxious that they have only four days to find a potential killer before the ship docks and lets its 2,000 passengers roam free in New York, he’s especially infuriated at the leisurely pace marked by Temple’s bromide, “Facts before witnesses.” There’s reason to sympathize with Temple, because the suspects in first and second class (the only classes that matter in this ultra-class-conscious world) are cardboard cutouts—the successful banker, his trophy wife, the aspiring artists, the gallery owner—who are much less interesting than the secrets they’re hiding. In his most anachronistic development, author Hindle shows Birch, unlike the imperturbable sidekicks he echoes, sunk in grief over his vanished daughter, Amelia, and his estranged wife, Kate, who left him after Amelia disappeared during one of his ocean voyages. He’d do anything to get his daughter back, he tells Temple, and his determination leads to the biggest surprise of all.
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.Pub Date: Sept. 29, 2026
ISBN: 9798217185740
Page Count: 464
Publisher: Dutton
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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