An often delightful, unexpected coming-of-age tale that unlocks the story behind a youngster’s silence.
A debut children’s tale of a traumatized girl’s journey to discover her own special gifts.
“She was only four when the accident happened, but she remembered her mother’s lap.” With this haunting sentence, Bell hints at a likely explanation for why her main character doesn’t speak. The author wisely leaves that part of the story dangling, though, creating suspense as she explores the world of Molly, an 8-year-old orphan who can’t, or won’t, talk. Molly begins to believe what she hears people saying about her—that a cat got her tongue. But even though she doesn’t speak, she hears more than most other people do. Like Dr. Doolittle, she can communicate with animals, and she finds friends in spiders, dogs, and cats. She partners with cocker spaniel Rusty and black Labrador Tony to track down the cat who stole her tongue. Bell’s depictions of Rusty’s antics are captivating; for example, he loves the smell of the garbage dump and makes a game out of distracting a farmer who’s angry at the trio for sleeping in his barn. Rusty also explains that cats talk to him: “They call me names when I chase them. FLAP-EARS, SLOBBER FACE, STINKY FUR-BALL.” With the help of her animal friends, Molly unlocks her ability to talk and solves the mystery of why the town’s cats have been disappearing. Overall, this book offers a fun glimpse into the world of animals as humans imagine it, and Martin’s black-and-white drawings, which appear to have been done in charcoal or pencil, gently add dimension to Bell’s words. However, some of its characterizations fall short. For example, the author predictably depicts Max, the cat that Molly believes took her tongue, as rough but with a heart of gold. Similarly, Molly’s aunt feels like a caricature of a heartless relative stuck with a child she doesn’t want. Still, these flaws only minimally detract from the overall story.
An often delightful, unexpected coming-of-age tale that unlocks the story behind a youngster’s silence.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Ambient Light Publishers
Review Posted Online: Aug. 16, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sky-based pyrotechnics make for a fun if somewhat confusing telling.
In this collaboration between sci-fi novelist Sanderson and Amulet creator Kibuishi, an unreliable narrator informs readers that here be no dragons.
“A boy sat in a chair.” The book opens on a bespectacled, light-skinned child in old-fashioned attire. The narration continues, “That’s it. He just sat in a chair,” while on the opposite page, the boy’s chair has unexpectedly whisked him heavenward. The narrator attempts to convince readers that just sitting in a chair is boring. As the story continues, however, the boy is attacked by an array of sky ruffians operating vessels; fight scenes and impressive explosions ensue. A dragon makes an appearance as the narrator drones on about how dull the story is. Kibuishi’s detailed cartoon images depict an enticing steampunk-esque world. Adults reading this book to kids might want to read the text first without the pictures; on a second run they can show off the images, neatly illustrating the important interplay of text and visuals in sequential art. Unfortunately, for all that the illustrations maintain the action at a fair clip, near the end the plot grows muddled as the boy gets out of his chair but then tumbles to the ground: Was he falling and then trying to stop himself? Some adult intervention may be required to clarify what precisely is happening on the page.
Sky-based pyrotechnics make for a fun if somewhat confusing telling. (Picture book. 4-7)Pub Date: Sept. 24, 2024
ISBN: 9781250843661
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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