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ONE OF THE GIRLS

Treads a tortuous path between rising action and frustrating misdirection.

An idyllic Greek island is the unlikely setting for the destination bachelorette party from hell.

Six women, 30-something London professionals, gather on the fictional island of Aegos for a long weekend’s “hen do.” Bella, self-appointed maid of honor to bride-to-be Lexi, her childhood best friend, organizes the bacchanal held at the villa owned by the aunt of Bella’s girlfriend, Fen. We know from the beginning that on the last day of the party, someone will die, but as to who, the only clue is “her red wrap” protruding from a body bag. Pay close attention to the walled terrace of the villa, which abuts a cliff overlooking a rocky shore. The conceit behind this prenuptial puzzle is that each guest harbors a secret. Lexi is 11 weeks pregnant, putting a damper on Bella’s planned drinking games. Robyn, a soon-to-be-divorced single mother, may be gay. Fen’s last visit to the villa was traumatic due to a humiliating encounter with a local waiter. But the secrets which threaten the very underpinnings of this so-called happy event are withheld until the end. As plot momentum flags, the challenge becomes to occupy the women’s time during the four days leading up to the big reveals. Eleanor, the groom’s sister, is grieving the recent loss of her own fiance, Sam. But how exactly did Sam die? Why did Bella leave nursing for jewelry sales? What did Bella and Fen quarrel about at the airport? Then there is Ana, also a single mother. A yoga student of Lexi’s, how does she fit into the bride’s inner circle? And Lexi, aside from her past as a star rock-and-roll dancer, is a cipher. Time passes distractingly enough, what with the blue Aegean, Mediterranean fare, energizing hikes, brutal hangovers, and petty squabbles, most sparked by Bella’s disappointment at the party’s overall lack of mojo. Unfortunately, the novel suffers from the same malaise.

Treads a tortuous path between rising action and frustrating misdirection.

Pub Date: June 28, 2022

ISBN: 978-0-593-42264-9

Page Count: 432

Publisher: Putnam

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GONE BEFORE GOODBYE

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.

Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

Pub Date: Oct. 14, 2025

ISBN: 9781538774700

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Oct. 15, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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