by Lucy Clarke ‧ RELEASE DATE: June 28, 2022
Treads a tortuous path between rising action and frustrating misdirection.
An idyllic Greek island is the unlikely setting for the destination bachelorette party from hell.
Six women, 30-something London professionals, gather on the fictional island of Aegos for a long weekend’s “hen do.” Bella, self-appointed maid of honor to bride-to-be Lexi, her childhood best friend, organizes the bacchanal held at the villa owned by the aunt of Bella’s girlfriend, Fen. We know from the beginning that on the last day of the party, someone will die, but as to who, the only clue is “her red wrap” protruding from a body bag. Pay close attention to the walled terrace of the villa, which abuts a cliff overlooking a rocky shore. The conceit behind this prenuptial puzzle is that each guest harbors a secret. Lexi is 11 weeks pregnant, putting a damper on Bella’s planned drinking games. Robyn, a soon-to-be-divorced single mother, may be gay. Fen’s last visit to the villa was traumatic due to a humiliating encounter with a local waiter. But the secrets which threaten the very underpinnings of this so-called happy event are withheld until the end. As plot momentum flags, the challenge becomes to occupy the women’s time during the four days leading up to the big reveals. Eleanor, the groom’s sister, is grieving the recent loss of her own fiance, Sam. But how exactly did Sam die? Why did Bella leave nursing for jewelry sales? What did Bella and Fen quarrel about at the airport? Then there is Ana, also a single mother. A yoga student of Lexi’s, how does she fit into the bride’s inner circle? And Lexi, aside from her past as a star rock-and-roll dancer, is a cipher. Time passes distractingly enough, what with the blue Aegean, Mediterranean fare, energizing hikes, brutal hangovers, and petty squabbles, most sparked by Bella’s disappointment at the party’s overall lack of mojo. Unfortunately, the novel suffers from the same malaise.
Treads a tortuous path between rising action and frustrating misdirection.Pub Date: June 28, 2022
ISBN: 978-0-593-42264-9
Page Count: 432
Publisher: Putnam
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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by Lucy Clarke
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by Lucy Clarke
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by Lucy Clarke
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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592
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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163
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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