Just a bit of well-armed fun, more suitable formatwise for a gift than classroom or library shelves.
A relatively sturdy pullout castle with a die-cut drawbridge and a dragon in the cellar serves as playscape for punch-out figures of medieval Maisy and her friends.
The dramatic main event follows a perfunctory scenario in which Maisy welcomes “Sir Charley” the crocodile and others to a bit of archery practice, then dons armor to win a friendly joust “by one point.” Even toddlers-at-arms (with minimal assistance from a yeoparent) can follow the easy instructions to set up the castle and brace it. The card-stock punch-outs include four characters in period dress, two rideable destriers and, oddly, a cannon. These can be stored in an accompanying pocket when not in use—or even dispensed with entirely, as the castle is not only festooned with busy guards and other residents, but there is lots of (literal) monkey business going on. Along with sending Maisy further from her customary domestic settings than usual, this outing features a possibly discomfiting quantity of weaponry—none seen actually in use, but still adding an unusually martial note to a series that generally promotes more peaceful pursuits.
Just a bit of well-armed fun, more suitable formatwise for a gift than classroom or library shelves. (Novelty. 5-7)Pub Date: Sept. 1, 2014
ISBN: 978-0-7636-7438-0
Page Count: 10
Publisher: Candlewick
Review Posted Online: Oct. 14, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This reimagined telling has an engaging charm that rings true.
An imagining of an unlikely real-life episode in the life of absurdist Franz Kafka.
Theule follows the outline of the account: When Kafka meets an unhappy girl in a Berlin park in 1923 and learns her doll is lost, Kafka writes a series of letters from Soupsy, the doll, to Irma, the girl. The real letters and the girl’s identity have been lost to history; the invented letters describe a dazzling variety of adventures for Soupsy. Unfortunately, as the letters increase in excitement, Kafka’s health declines (he would die of tuberculosis in June 1924), and he must find a way to end Soupsy’s adventures in a positive way. In an author’s note, readers learn that Kafka chose to write that Soupsy was getting married. Theule instead opts to send the doll on an Antarctic expedition. Irma gets the message that she can do anything, and the final image shows her riding a camel, a copy of Metamorphosis peeking from a satchel. While kids may not care about Kafka, the short relationship between the writer and the little girl will keep their interest. Realizing that an adult can care so much about a child met in the park is empowering. The stylized illustrations, especially those set in the chilly Berlin fall, resemble woodcuts with a German expressionist look. The doll’s adventures look a little sweeter, with more red and blue added to the brown palette of the German scenes. (This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at 23% of actual size.)
This reimagined telling has an engaging charm that rings true. (biographical note, bibliography) (Picture book. 5-7)Pub Date: March 9, 2021
ISBN: 978-0-593-11632-6
Page Count: 48
Publisher: Viking
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
With ingenuity and good will, sticks and stones can be turned to better uses than breaking bones—but the tale demands...
Cavemen compare rocks, try to top each other, finally invent fun game.
“This Dave. / Dave love rock. / … / Dave’s rock bigger” than Jon’s rock. But “Jon’s rock faster” when thrown. Both pick up new rocks, with unsatisfactory results. Then Jon suggest both carve rocks into same round shape and Dave add hole in middle—make fine game tossing at upright stick! Jon and Dave go off arm in arm. Considering that Preston-Gannon starts the episode off with a quote from Mark Twain (“Name the greatest of all the inventors: accident”), the stilted language (carried over from Dave’s Cave, 2018) seems particularly affected, and the two light-skinned cave guys, with their Flintstones-style animal skins and shaggy manes (Dave’s, for some reason, is green) certainly are. Still, it’s salutary to see an escalating conflict resolved in an amicable, even creative way, and a bit of wordless byplay in which a set of forest creatures invent a wheeled scooter with the discarded game pieces adds a droll finish. The diagrams the animals draw in the dirt make an especially funny counterpoint to the dialogue.
With ingenuity and good will, sticks and stones can be turned to better uses than breaking bones—but the tale demands readers who are patient with cavespeak. (Picture book. 5-7)Pub Date: Feb. 12, 2019
ISBN: 978-1-5362-0271-7
Page Count: 32
Publisher: Nosy Crow
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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