A convoluted coming-of-age story with a gothic veneer. Gwyn Stickley, known as ``Stick,'' witnesses the explosion of the Challenger when she's on a high-school trip to Florida. Returning to her dreary unnamed hamlet in upstate New York, she might want to brood about the tragedy, but she's got plenty to brood about already in her own backyard: There's best friend JoAnn, for instance, secretly pregnant and still swilling beer; local storekeeper Gray, who, with his retarded son Benjy, has recently been charged with child-molesting; and Stick's own bickering parents, especially her beautiful, elusive mother Wanda, who seems to be harboring dark secrets of her own. When JoAnn's son is born in a shed in the woods, Stick assists at the birth, then spirits the baby to a mall where someone can find him and take him in. She can't stop thinking about the infant, but she takes up religion and tap-dancing, at least for a while, and her story gathers some pull when she heads for Manhattan to try for a career. All too soon, though, she's tapped out. She heads back upstate to confront a new onslaught of tragedies—including JoAnn's violent death, the discovery of a skeleton in the woods, and a gruesome accident that leaves her own father impaled on a spike fence. It's all a bit too much: Ferriss could have whittled her plot twists to half of what's here and made a better, more coherent story. By the time Mom finally reveals her dark secret, we're too numb to care a lot; and for someone with so much savvy, Stick never understands that she really does need to dance her way to freedom, finishing instead where she began, back in the hamlet. Stick is stuck. Overdone and overtold. Ferriss (The Gated River, 1986, etc.) should have listened to her own main character, a girl whose favorite pastime is parsing sentences to reveal their basic elements.
Pub Date: March 1, 1996
ISBN: 0-684-80091-8
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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