Wonder Boys meets Cyrano de Bergerac meets Jacques Lacan meets Animal House. Something for everyone.
A moronic chick magnet gets a scholarship to a prestigious Midwestern writing program on the basis of poetry written by his dweeb sidekick.
Meet Troy Augustus Loudermilk: "Six foot three and built like a water polo champion. His face is hard to look away from. His square jaw resolves itself into a gentle cleft above which shapely lips give levity to otherwise chiseled features." What is almost more beautiful than Loudermilk's physical being is his gleefully transcribed speech, sparkling with "dick-munches," "nerf herders," "cum-dumpsters," "jizz rags," "fart crumbs," "brohams," and "get spastic with it, you Amish pirate you." His underdeveloped, terrified henchman, Harry Rego, resembles "a hobbit or shaved teddy bear" and is "not sure what you're supposed to do if you end up in a relationship with someone who may at once be a sociopath and/or pathological liar, plus situational narcissist, and/or suffering from a personality disorder, and then you also feel like they are the only person in the world who's ever understood you." Ives' second novel (Impossible Views of the World, 2017) is half gonzo grad school satire featuring these two princes among men, half theoretical inquiry into the nature of writing and reality. Holding down the more highbrow side of things is a character named Clare Elwil, who contributes a dead father, lots of introspection ("bounding through the endless black and rainbow that is the mountain-heap of images constituting the trash-heap of her being"), and four short stories, which appear as a kind of performance art within the novel. Also included are several of the works Harry writes as T.A. Loudermilk—poems that set the entire student body and faculty back on their heels in awe. We're 99 percent sure the admiration these inspire is supposed to be a joke, but since there were a number of other things that went over our heads, we could be wrong.
Wonder Boys meets Cyrano de Bergerac meets Jacques Lacan meets Animal House. Something for everyone.Pub Date: May 7, 2019
ISBN: 978-1-59376-390-9
Page Count: 352
Publisher: Soft Skull Press
Review Posted Online: Feb. 3, 2019
Kirkus Reviews Issue: Feb. 15, 2019
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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