by Lucy Jane Bledsoe ‧ RELEASE DATE: Sept. 20, 1995
An iffy debut collection of nine stories and a novella: the chip on the author's shoulder is a tremendous distraction from her natural style and distinctive voice. An integration of sexuality and sport infuses these pieces, in which straight characters are, with few exceptions, evil bigots or mindless glamour gals. Some of the stories, as well, are just too slight: ``The Rescue'' is barely a sketch, its straight woman, Meredith, an easy target; and ``Sex Is an Ancient Practice'' lacks any irony or larger context. In the title story, a frustrated and recently dumped high-school basketball coach makes a pass at a needy young player in a darkened gym, and the sympathy appears to be with the coach; at the very least, the unsettling questions of the student's age and the coach's position of authority are glossed over. ``Under the Caba§a,'' with its not-yet-realized-lesbian heroine, suffers from a coy suggestiveness, while ``The Pass'' has the opposite probleman overstated case. High spots do emerge, however: In ``The Night Danny Was Raped,'' a clever stylistic techniquea core sentence is built uponis woven through a fully fleshed-out narrative with a vivid, believable protagonist. But ``The Place Before Language,'' the concluding novella—about a summer ranger on Mount Rainier who discovers an affair between fire-lookout chief Elise and Barbara, the wife of the Ranger Supervisorreverts to a lesbian-against-the-elements subtext that's by now worn thin. In the end, the connection between athleticism and lesbianismBledsoe's central focusseems a forced and tenuous stretch. Bledsoe has the tools to write for an unmodified general audience, but here her subject matter holds her back to alienatingand limitingeffect.
Pub Date: Sept. 20, 1995
ISBN: 1-878067-64-8
Page Count: 182
Publisher: Seal Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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SEEN & HEARD
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SEEN & HEARD
by Rattawut Lapcharoensap ‧ RELEASE DATE: Jan. 1, 2005
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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