by Lucy Sante ‧ RELEASE DATE: Feb. 13, 2024
An absorbing analysis of a long-standing search for identity in writing and life.
An award-winning writer chronicles her late-in-life gender transition.
This memoir charts Sante’s recent transition from male to female in her late 60s. Her commentary alternates between explaining the challenges of her decision and reflecting on earlier moments in a life marked by gender dysphoria. The author provides detailed and engaging descriptions of the process of transitioning, from choices about makeup, clothing, and drug therapies, to making connections with community support groups and handling the delicate protocols of coming out to friends and co-workers. Sante delivers sharply rendered sketches of bohemian New York, where the author has spent much of her life. At the beginning of the book, Sante describes how she experimented with FaceApp’s “gender‑swapping feature.” Looking at the digitally altered images—many of them included here—produced “one shock of recognition after another” and the sense that what she saw was “exactly who I would have been” at various stages of her life, from childhood to middle age. In tracking her own long-standing self-evasions, Sante offers perceptive commentary on the psychological dynamics that led her to delay the process of fully assuming a female identity. A poignant irony, sensitively explored over the course of the memoir, is that her writing career sought to expose important truths in the social communities she inhabited, especially among those with nonconformist lifestyles, while privately she denied a fundamental truth about herself. Also insightful is Sante’s broader societal analysis, which locates her struggles within a culture that seems to both covertly acknowledge and severely punish gender fluidity. The memoir concludes with a justifiable expression of hope that the author’s experiences might be instructive to those seeking to understand transition and the personal and social complexities it can pose.
An absorbing analysis of a long-standing search for identity in writing and life.Pub Date: Feb. 13, 2024
ISBN: 9780593493762
Page Count: 240
Publisher: Penguin Press
Review Posted Online: Oct. 28, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
by Melania Trump ‧ RELEASE DATE: Oct. 8, 2024
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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