by Ludmilla Petrushevskaya ; translated by Anna Summers ‧ RELEASE DATE: Oct. 28, 2014
Infernal, haunting monologues.
Three deceptively simple tales explore the dark terrain of the greedy human soul.
Winner of Russia's Triumph Prize and deft chronicler of beset Muscovites, 76-year-old Petrushevskaya (There Once Lived a Girl Who Seduced Her Sister’s Husband, and He Hanged Himself, 2013, etc.) returns with three bewitching novellas. Although her writing is not overtly political, her gimlet-eyed appraisal of humanity resulted in her work being banned in the Soviet Union for decades. The emotional palette here is gray-toned: love reduced to sex, motherhood to jealousy, empathy to guilt. The ethical dimensions contract; instead of questioning how one ought to behave, Petrushevskaya’s characters simply react, trying to safeguard their meager possessions from suffering relatives. In the longest novella, The Time is Night (previously published as The Time: Night and shortlisted for the Russian Booker Prize), an older woman struggles to make financial ends meet and emotional debts balance. Both an insightful poet and a vindictive woman, Anna can at once tenderly care for her grandson and viciously insult her own daughter. The moral quandaries intensify, however, when her son returns home from prison, her daughter hints at moving back home, and her own mother’s bed at the local hospital is lost. The second tale, “Chocolates With Liqueur,” grafts an Edgar Allan Poe motif onto a tale of marital horror. Lelia, a young nurse who has lost her parents and grandfather, manages to carve out a life for herself—that is, until Nikita comes along. Too frightened to reject his advances, Lelia soon finds herself in a loveless, abusive marriage to a man sinking into mental illness. The final novella, Among Friends, traces the Friday night parties of a group of friends. They are bound primarily by their fear of informants and their infatuation with the seductive yet mercurial Marisha. Together, they endure political pressures, broken marriages and deteriorating parents—all of which the shrewd, often calculating narrator observes mercilessly. But there is one betrayal that cannot be endured.
Infernal, haunting monologues.Pub Date: Oct. 28, 2014
ISBN: 978-0-14-312166-4
Page Count: 208
Publisher: Penguin
Review Posted Online: Aug. 23, 2014
Kirkus Reviews Issue: Sept. 15, 2014
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More by Ludmilla Petrushevskaya
BOOK REVIEW
by Ludmilla Petrushevskaya translated by Anna Summers
BOOK REVIEW
by Ludmilla Petrushevskaya & translated by Anna Summers
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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