Gripping and cinematic, the novel’s worlds of El Paso past and present will bewitch and enrapture.
A busy El Paso lawyer embarks on a supernatural journey when she uncovers a startling truth about her great-aunt.
In 1943, Elena Eduviges Montoya, called “Nena” by her family, resigns herself to serving her older sisters as a housemaid and nanny while World War II rages, “biding her time until the Germans attacked.” But one sweltering afternoon, Nena has a vision foretelling the death of their landlord, and that night she receives a midnight visit from black-clad Sister Benedicta de la Cruz, who transports her to 1792—when El Paso del Norte was still part of New Spain—and leads her to a strange convent, where the nuns are likewise afflicted by visions. Nena learns she must remain in this enchanted realm in order to undertake training to channel “La Vista,” that part of God that comprises nature and chaos, before she can return home. Fast forward to the present day, and Nena’s great-niece, Marta, juggles her roles as a lawyer at a struggling firm, a mother to two boys, and a wife stuck in a humdrum marriage. All this gets turned upside down when an alarming kitchen incident involving the elderly Nena, burned rice, and handsome firemen brings Nena to live with Marta’s family. After Marta has an unnerving experience with seemingly supernatural soot (“when she opens her eyes again, the wall continues to blink, soot there, soot gone”), Nena comes clean about a secret she’s kept for a lifetime: She gave birth to a baby, Rosa, during her time on “the other side.” The revelation sets the women on a path to recover Rosa from the shadowy realm of El Paso del Norte. Alternating chapters between Nena’s past and Marta’s present, Jaramillo braids the storylines together like a mal de ojo bracelet, seamlessly weaving in Spanish language terms and Mexican cultural touchstones such as pozole, rebozo, and el aquelarre. Jaramillo’s atmospheric prose conjures the dusty El Paso of the past, and depictions of La Vista vibrate with “colorful knots of waves,” glowing indigo, maroon, and bright pink, yielding “a wild spell, like yeast in the air.” This riveting page-turner affirms the adage, “Family stories teach us how to live. Family secrets teach us to kill parts of ourselves.”
Gripping and cinematic, the novel’s worlds of El Paso past and present will bewitch and enrapture.Pub Date: Oct. 8, 2024
ISBN: 9781668033210
Page Count: 288
Publisher: Primero Sueño Press
Review Posted Online: July 10, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Unrelenting, and not in a good way.
A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.
Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.
Unrelenting, and not in a good way.Pub Date: Nov. 7, 2023
ISBN: 9781649374172
Page Count: 640
Publisher: Red Tower
Review Posted Online: Jan. 20, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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