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THE LAST POPE

The novel, an international bestseller, is nearly as messy as the actual bank scandal it draws on.

The mysterious death of Pope John Paul I and the evil machinations of real-life figures from Vatican bank scandals enmesh a pretty Portuguese reporter and her mysterious defender.

Crowds of cynical cardinals, malevolent archbishops and grasping members of the shadowy Italian Masonic lodge P2 complicate the time-skipping plot of this thriller debut by Portuguese TV and film writer Rocha. His attempt to sort out the unanswered questions raised by the London murder of banker Roberto Calvi and the brief papacy of Albino Luciani skips back and forth between the pope’s last days in the 1970s and the present. Lovely international reporter Sarah Monteiro arrives in London to find in her pile of mail an envelope stuffed with an unexplained list of names, including her father’s. The list was sent by a Vatican prelate who swiped it from the archives and slipped it in the mailbox seconds before being iced by an assassin with the run of St. Peters. The killer is an operative reporting to the cabal of highly placed government, church and business figures whose Masonic alliance has allowed them to swindle and bamboozle their way to riches and political power. In their unholy work, they had and continue to have the wholehearted assistance of the CIA, which lends invaluable technical assistance to their manic effort to regain the purloined information and keep it from the public. The late pope had learned about the shady financial dealings of Paul VI’s American advisor, Archbishop Paul Marcinkus, and had been planning to clean house. As soon as Sarah reads the list, more bodies drop, and they continue to drop as she sorts things out with the help of a handsome turncoat agent with a mysterious past.

The novel, an international bestseller, is nearly as messy as the actual bank scandal it draws on.

Pub Date: Aug. 14, 2008

ISBN: 978-0-399-15489-8

Page Count: 304

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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