by Luke Brown Berthalicia Brown ‧ RELEASE DATE: March 9, 2013
The setting comes alive in this easy chapter book, even if the characters don’t.
A young Caribbean boy meets a fantastical friend in this early reader.
Karl has big dreams: He wants to beat the island’s best runner in the 200-meter sprint and then go on to run in the Olympics. He even feels his feet cross the finish line—but, alas, he wakes up and realizes it was just a dream. Karl has a mysterious friend, however, a rolling calf named Rollie-Rollie, who appears in a terrifying “grand entrance” with the sounds of clanking iron chains—a “mad beast sprint[ing] toward Karl with fire blazing from its mouth.” In his Caribbean patois, Rollie-Rollie promises to train Karl for the Olympics: “Boy, if yuh let me be yuh coach, we could win any race on earth.” Rollie-Rollie also makes, and keeps, another promise to Karl: He will appear to his family and friends in the town square so they don’t think Karl is crazy. Along with Karl and Rollie, there are about a dozen characters in this 34-page book, most of whom are nothing but names. Some of them participate in brief vignettes that lack context: Ben takes Leonard on a walk to find mangoes; Junior strikes up a romance with a girl named Mona, etc. Readers learn nothing more and can only guess that their personalities and circumstances will be introduced in other books in the series. Yet Brown and Brown (A Turbulent Road to Heaven, 2013, etc.) pack the story with details evocative of island life: the town turning out for a footrace; eating callaloo, ackee and salt fish for breakfast; a trip to the well to fill up water drums; washing clothes by the river—even the rolling calf himself is a common spirit in island folklore, though usually not a friendly one. The book ends with a parable told by Essie, the children’s mother figure, and a moral—one will never regret a job well done—that is as disconnected as the other parts of the story.
The setting comes alive in this easy chapter book, even if the characters don’t.Pub Date: March 9, 2013
ISBN: 978-1482731507
Page Count: 40
Publisher: CreateSpace
Review Posted Online: June 10, 2013
Review Program: Kirkus Indie
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Stephanie Garber ‧ RELEASE DATE: Jan. 31, 2017
Immersive and engaging, despite some flaws, and destined to capture imaginations.
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New York Times Bestseller
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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