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A HISTORY OF FEAR

A muscular, enigmatic, and devilishly smart read.

A methodical story about evil—its mystery and its toll—takes its murderous narrator past the brink of sanity.

Grayson Hale has committed murder, claiming the devil made him do it. What makes this first-person novel so chilling is that Grayson, an American graduate student in Edinburgh, sounds completely sane, the product of an emotionally neglectful San Diego home who has suffered from satanophobia, or a paralyzing fear that the Adversary is coming for him. His parents, detached heads of a living-room church, barely gave him the time of day as he grew up neurotic and terrified. Now, in Scotland, an enigmatic stranger wants him to ghostwrite a book about the devil. The stranger, who goes by D.B., believes his countrymen no longer have a healthy fear and respect for Satan. Grayson really needs the money if he's going to pursue his doctorate. Of course, he has no idea what he’s getting into. Lean and propulsive, this dissection of evil marches forward with a deadly logic and sleight of hand, with occasional gaps filled in by an enterprising journalist and a Scottish information commissioner. The key is that we feel for Grayson as he leads us up to the brink of his terrible deed. The characters surrounding him, from his ghoulish family to his annoying roommate to his eventual victim, come to life on the page, all part of Grayson’s living nightmare. His bouts of satanophobia are characterized by visits from swarms of yellow-eyed fiends who crowd the aisle of the bus he rides. All the while he undergoes a crisis of faith; a one-time theological prodigy, he falls away from the calling even as its imagery fills his consciousness. It’s a patient pursuit and a patient book, one that builds without the reader quite realizing it. It blurs the line between mental illness and something less definable, more supernatural and sinister.

A muscular, enigmatic, and devilishly smart read.

Pub Date: Dec. 6, 2022

ISBN: 978-1-9821-9902-9

Page Count: 368

Publisher: Atria

Review Posted Online: Sept. 9, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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