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A HISTORY OF FEAR

A muscular, enigmatic, and devilishly smart read.

A methodical story about evil—its mystery and its toll—takes its murderous narrator past the brink of sanity.

Grayson Hale has committed murder, claiming the devil made him do it. What makes this first-person novel so chilling is that Grayson, an American graduate student in Edinburgh, sounds completely sane, the product of an emotionally neglectful San Diego home who has suffered from satanophobia, or a paralyzing fear that the Adversary is coming for him. His parents, detached heads of a living-room church, barely gave him the time of day as he grew up neurotic and terrified. Now, in Scotland, an enigmatic stranger wants him to ghostwrite a book about the devil. The stranger, who goes by D.B., believes his countrymen no longer have a healthy fear and respect for Satan. Grayson really needs the money if he's going to pursue his doctorate. Of course, he has no idea what he’s getting into. Lean and propulsive, this dissection of evil marches forward with a deadly logic and sleight of hand, with occasional gaps filled in by an enterprising journalist and a Scottish information commissioner. The key is that we feel for Grayson as he leads us up to the brink of his terrible deed. The characters surrounding him, from his ghoulish family to his annoying roommate to his eventual victim, come to life on the page, all part of Grayson’s living nightmare. His bouts of satanophobia are characterized by visits from swarms of yellow-eyed fiends who crowd the aisle of the bus he rides. All the while he undergoes a crisis of faith; a one-time theological prodigy, he falls away from the calling even as its imagery fills his consciousness. It’s a patient pursuit and a patient book, one that builds without the reader quite realizing it. It blurs the line between mental illness and something less definable, more supernatural and sinister.

A muscular, enigmatic, and devilishly smart read.

Pub Date: Dec. 6, 2022

ISBN: 978-1-9821-9902-9

Page Count: 368

Publisher: Atria

Review Posted Online: Sept. 9, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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SANDWICH

A moving, hilarious reminder that parenthood, just like life, means constant change.

During an annual beach vacation, a mother confronts her past and learns to move forward.

Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”

A moving, hilarious reminder that parenthood, just like life, means constant change.

Pub Date: June 18, 2024

ISBN: 9780063345164

Page Count: 240

Publisher: Harper/HarperCollins

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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THE HOUSE ACROSS THE LAKE

A weird, wild ride.

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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