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THE STORM IS HERE

AN AMERICAN CRUCIBLE

Essential for understanding the right-wing rage that boils across America.

A war correspondent provides a crucial account of the events leading up to the Jan. 6, 2021, coup attempt.

“While they demonstrated their ability to attempt an insurrection…I have a hard time crediting them with the imagination necessary to conceive of one,” writes Mogelson, New Yorker staffer and winner of two National Magazine and two George Polk Awards, referring to the Proud Boys and other right-wing radicals who stormed the Capitol. The orders for that insurrection came from elsewhere, as a congressional investigation is now unveiling. Mogelson examines the uprising as the expression of a kind of free-floating White rage that he has been tracing over the last few years. His reporting has taken him to places such as Michigan, where, in 2020, thousands of Trump supporters, anti-vaxxers, and other dissidents attempted to shut down the state capitol while others plotted to kidnap and perhaps even kill the state’s Democratic governor, who “had recently extended a stay-at-home order and imposed additional restrictions on commerce and recreation.” The Covid-19 pandemic was one spark, along with “a raging blizzard of propaganda [that] would completely blot out reality.” The reality that Mogelson presents is unrelentingly bleak, culminating in a vivid, and frightening, blow-by-blow account of the assault on the Capitol, which he witnessed firsthand. By not declaring himself a member of the press, he was able to move among figures such as the so-called QAnon Shaman, “who was carrying out a highly specific and consequential mission, from which he would not be deterred”—namely, to reclaim the Capitol for God by bellowing “shamanic songs” to activate the electromagnetic ley lines along which D.C. was supposedly built. (His mission ultimately ended in a sentence of 41 months in prison.) Other participants were much less woo-woo, of course, earnest in their mission to overturn the election and, in the bargain, hang Mike Pence for upholding the Constitution. Mogelson recounts the chaos in consistently striking, memorable detail.

Essential for understanding the right-wing rage that boils across America.

Pub Date: Sept. 13, 2022

ISBN: 978-0-593-48921-5

Page Count: 368

Publisher: Penguin Press

Review Posted Online: June 20, 2022

Kirkus Reviews Issue: July 15, 2022

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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