An exuberant life story written with humor, panache, and heart.
A quest for money clashes with the yearning for creative fulfillment in Stoffel’s bittersweet novel based on true events.
This lightly fictionalized memoir (with names and identifying details changed) begins with the author’s boyhood mission of escaping the dreariness of Reagan-era Dubuque, Iowa, and the financial strains his working-class family endured. He decides to find a way to get rich, first by trying to win million-dollar McDonald’s promotional contests—until he read the fine print and discovered the 80-million-to-one odds. As a bullied, and occasionally beaten, gay teen, he acts in high school musicals and dreams of earning millions as a Broadway star; but when he later arrives in New York with a degree in graphic design, the closest he gets to his aspirations is a backstage job with the musical Urinetown. Stoffel then bounces between New York, Paris, and Honolulu working unsatisfying day jobs—office gigs, waiting tables—while developing accomplished but not very remunerative sidelines as a painter and freelance photographer. (The author includes captivating, vibrantly colorful photos from his Asian sojourns, depicting Buddhist monks and geishas.) Stoffel finally begins earning enough money as a marketing professional involved in major advertising campaigns to make $1 million a possibility, but he’s still discontented. He thus embarks on gonzo startup schemes, including a fashion app featuring changing-room selfies of women trying on clothes, and a novelty venture called Glitter Poo Pills—capsules filled with edible glitter that, as the book’s title asserts, add sparkle to bowel movements. (Yes, they sold.) Along the way, Stoffel weathers many an entertaining—and usually humiliating—pratfall.
Stoffel’s picaresque work is a classic tale of a small-town lad with starry-eyed ambitions making it in the big city, but with a more realistic take on the circuitous path that journey takes—and a clear-eyed conclusion that the destination matters less than the adventures along the way. A pervasive theme is the nature of work and its impact on people’s lives and characters, as in a rich, physically evocative sketch of Stoffel’s father coming home from the John Deere plant: “I can vividly recall him trudging up the gravel alleyway behind our house at the end of each shift, his slim but strong frame covered in silt from the factory floor.” There are passages of bleak, plangent emotion in the book, as well, especially regarding the death of an ex-boyfriend of pneumonia: “The hospital room felt too still, the machines were quiet, and the coldness of the room pressed down on me like a suffocating blanket. He was gone.” At many points, though, this is a raucously funny book, with raffish prose full of self-deprecating humor regarding the distance between exalted pretensions and awkward reality. About pretending to meditate at a Laotian temple, for instance, Stoffel writes, “I wondered if Buddha was silently judging me from behind that peaceful smile—did he know I was thinking more about my posture and my Apple Watch than any kind of inner peace?” The result is a luminous tribute to the inestimable value of not quite getting what you want.
An exuberant life story written with humor, panache, and heart.Pub Date: Feb. 1, 2025
ISBN: 9798991798723
Page Count: 264
Publisher: Cinderly Press
Review Posted Online: Jan. 31, 2025
Kirkus Reviews Issue: March 15, 2025
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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