by Lulu Delacre ; illustrated by Lulu Delacre ‧ RELEASE DATE: Sept. 5, 2023
Essentially kindhearted.
Siblings Marisol and Pepito spot the essential workers in their neighborhood during the Covid-19 lockdown.
Thanks to the “bad virus” that closed the stores and restaurants, Mami can no longer cook at Rosita’s Café. Other people, however, do have to work. “Los muy necesarios,” says Mami, the essential workers who make sure there’s power, water, and food. On their way with Mami to deliver food and medicine to older family members, Marisol and Pepito play a game of I Spy (Veo, Veo) to identify all the essential workers in their neighborhood. “Veo, veo,” starts Marisol, “a trash collector! He has work!” Pepito sees Nurse Marco returning home from caring for sick people, and Marisol catches Vanessa and Victor hopping in the van that takes them to the chicken plant. All masked, the bus driver, firefighters, and landscaper are hard at work, too. Back at home, Marisol (“Now I see what I had not before”) makes a sign celebrating the essential workers. Delacre ingeniously sets up the game of Veo, Veo as a conversation between the siblings and Mami that alternates between English and Spanish, leveraging that back and forth to acknowledge the importance of each worker during the unprecedented pandemic lockdown. An author’s note further discloses that these essential workers “were disproportionately Black and Brown.” Fittingly, the collage artwork features a community full of Black and brown folks in a neighborhood rendered in effervescent colors and curved landscapes; the protagonists are brown-skinned and Latine. (This book was reviewed digitally.)
Essentially kindhearted. (Picture book. 4-8)Pub Date: Sept. 5, 2023
ISBN: 9781665911917
Page Count: 40
Publisher: Atheneum
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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