Bits of humor help these occasionally hard-hitting essays go down.
A collection of societal criticism tempered with humor.
If you combined Joan Rivers, Whoopi Goldberg, and Amy Schumer and added a twist of Nigerian slang for that extra bit of tang, you’d come close to deciphering the unusual blend that comprises Ajayi’s writing. At first glance, these essays appear to be fluffy, making fun of odd things such as posting pictures of someone’s grandma pre-burial or complaining about women who don’t wash their bras more than once per year. But if readers push past the forced humor, expletives, and made-up words, they will discover that Ajayi explores real issues. Why is racism still so rampant in the United States? Ditto rape, and why does it take so long for a woman to be heard when she accuses her attacker? Why are people still homophobic? Why do people lighten their skin or undergo cosmetic surgery? “There are seven billion of us on earth, and we are all different,” writes the author. “But one thing is clear: humans excel at using our differences as excuses to act like assholes and torment each other….We have created rigid, yet often invisible, systems that keep some people at the top on the backs of others at the bottom, based on their identity markers….I am judging all of us for being shitty humans by being culture vultures, homophobic jackasses, racist trolls, sexist douchebags, and born-again hypocrites.” By exposing the uncool, unwashed underbelly of American society, Ajayi’s essays force readers to reconsider their stances on a variety of issues, including social media and the public airing of everything, celebrities, sex tapes, the various types of friendships one might have, feminism, religion. Be prepared for some laughs, but also be prepared to think and confront tougher issues.
Bits of humor help these occasionally hard-hitting essays go down.Pub Date: Sept. 13, 2016
ISBN: 978-1-62779-606-4
Page Count: 256
Publisher: Henry Holt
Review Posted Online: June 10, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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