The personal is patently political in Kiesling’s call to environmental arms.
An examination of the myriad costs of delivering the “energy” needed to power everyday life through the story of one American woman.
Bunny Glenn, the disaffected teenage daughter of a U.S. foreign service officer, floats through life and her father’s relocations in a state of adolescent ennui and annoyance. Kiesling begins her account of Bunny’s slow journey to a level of heightened awareness of petropolitics in 1998 with her father’s posting in Baku, Azerbaijan, a hotbed of political and oil industry machinations in the wake of the breakup of the Soviet Union. While primarily concerned about her appearance and prime-time American soap operas translated into foreign languages for worldwide consumption, Bunny manages to absorb enough about the oil industry through osmosis that it comes as no surprise when, years later, an adult Bunny (who eventually prefers to be called Elizabeth) finds herself climbing the corporate ladder of a small, family-owned energy company in Texas. Through a lens focused on Bunny, Kiesling is able to deliver an examination of the roles of (among other factors) class, gender, politics, and economics in the development of the world’s addictive reliance upon fossil fuels. Bunny, who has been privy to rumors and stories of industry corruption and avarice, grapples with the need to make a life (and a living) for herself in an arena filled with self-interest and increasingly devastating environmental danger. All the while, she contends with concerns shared with women finding their ways in the corporate world and the world of self-fulfillment. Designer bags, Korean skin care lines, nail polish colors, and the resolution of a long-held sexual attraction take turns as signals of Bunny’s evolving persona in this artful demonstration of how micro decisions have macro results.
The personal is patently political in Kiesling’s call to environmental arms.Pub Date: Aug. 1, 2023
ISBN: 9781638930563
Page Count: 368
Publisher: Zando
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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