Talky uplift and a self-congratulatory tone bog down the novel, but through compelling characters, Netzer raises a...
Netzer’s debut, about a heavily pregnant woman left to care for her dying mother and autistic son while her Nobel-winning husband travels to the moon, takes the literary concept of charmingly quirky characters to a new level.
Sunny is born in Burma in 1981 to missionary parents. After her father’s death at the hands of the Communists, Sunny’s mother, Emma, settles with Sunny in rural western Pennsylvania, where she mistakenly hopes Sunny will be accepted despite her glaring abnormality—she is hairless and permanently bald, and Emma will not allow her to wear a wig. Sunny finds her soul mate in Maxon, the youngest son of cartoonishly abusive white-trash parents. If Sunny is brilliant and a little odd, Maxon is a genius far along the autism continuum. For Maxon, whose work with artificial intelligence has made him rich and won him a Nobel by age 30, the boundary between human and robot is erasable. He plots interpersonal interactions in terms of mathematical formulas. Nevertheless, he and Sunny’s love is shown as Shakespearian in its passion and depth. But when Sunny becomes pregnant with their son Bubber, maternal instincts push her toward conformity: wig wearing and suburbia. She wants to cure Bubber of the autism he has evidently inherited and becomes less patient with Maxon’s exceptionality. Sunny is far along in her second pregnancy and coping with Emma’s approaching death from cancer when Maxon leaves for his mission to colonize the moon with robots. While he faces a crisis in space that shows him how much his relationships on earth matter, Sunny stops wearing her wig, medicating Bubber to control him and maintaining Emma endlessly on life support. She drops her pretense of normality, only to realize that there may be no such thing as normal; everyone wears a metaphorical wig.
Talky uplift and a self-congratulatory tone bog down the novel, but through compelling characters, Netzer raises a provocative question: Is autism a disability, a gift or the norm of the future?Pub Date: July 17, 2012
ISBN: 978-1-250-00707-0
Page Count: 320
Publisher: St. Martin's
Review Posted Online: June 23, 2012
Kirkus Reviews Issue: July 15, 2012
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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