RED THREAD OF FATE

A Taiwanese American woman is determined to adopt a Chinese orphan as a newly widowed single mother.

Tamlei Kwan, aka Tam, age 37, has vowed to follow through on her late husband Tony’s promise to adopt a Chinese toddler with special needs. Also, she’s recently taken responsibility for Angela, the 5-year-old daughter of Mia, whom Tony had presented, “vaguely,” as his first or second cousin. After emigrating from China, Mia lived with Tony and Tam in their Astoria apartment until her estrangement from the couple resulted in her exile to Flushing, where she worked in a nail salon. The cause of the rift is withheld until roughly midway through the novel in an unnecessary ploy to build suspense. Readers will guess early on that Tony and Mia’s relations aren’t exactly familial, especially since Mia’s perspective, in flashbacks, alternates with Tam’s. We learn that, in China, Mia was taken in by Tony’s parents and had a teenage crush on him. Thinking Mia is out of their lives, Tam experiences a double shock to learn that her husband and Mia have been killed by a careening truck in Flushing. What was Tony doing there? The fact that Mia’s stalker ex-boyfriend, Kenny, was either the driver or the passenger of the truck adds a foul-play element that proves to be a red herring. This unduly tortuous plot then turns to the most compelling portion of the novel—scenes from a Chinese orphanage where Tony’s dementia-afflicted elderly mother, Xing Xing, once played a pivotal role, whence Tony’s decision to adopt from that same orphanage. How the China-Taiwan conflict plays out on the family level is touched on but underdeveloped. The adoptee, Charlie, is 3 but physically and developmentally resembles a 9-month-old. The remainder of the novel deals with Tam’s attempts to turn her unruly, impromptu clan into a family. A kindly neighbor’s dachshund shelter provides comic relief and is more engaging than a hackneyed romance subplot.

Weighty subject matter is undermined by a melodramatic, unfocused treatment.