Barry has a genius for remembering the odd things kids and grownups do, especially during those times that linger between...
Barry’s recent novel (Cruddy, p. 1999) proved what her comics admirers already knew: she’s a splendid writer with a phenomenal ear for everyday speech. And her comics work, syndicated in dozens of newspapers, has grown with her. After collecting stories featuring her character Freddie (The Freddie Stories), Barry celebrates another of her wonderful creations, Freddie’s sister Marlys.
There are over two hundred Marlys-centered pieces here, some dating back to 1986, making it possible to chart Barry’s growth as writer and artist. Though she still relies on a scratchy, wobbly messiness to echo her subject, Barry’s lines calmed down a bit, and her frames became less busy. Barry likes to play with the borders to her mostly one-page stories, and she eventually broke out of her strict four-frame format. A number of the earlier pieces are told by Marlys cousin Maybonne, who hates her guts, partly because Marlys doesn’t hesitate to remind everyone that she’s a gifted child. But their childhood together is recalled with bittersweetness: their marginal social status, the absence of fathers, their tough-talking matriarchs. As the girls remember it, though, it’s mostly about gross food, nasty neighborhood dogs, plastic toys, and goofy haircuts. Beneath the joyful flotsam of their youth, Barry peeks in on their desperation. She also knows the junk well: the bikes, the batons, the turtles, the caps, the candy cigarettes—she’s a visual archaeologist of American childhood. The best stories are in Marlys own voice: her riff on the word “groovy”; her little lessons addressed to readers on drawing, school reports, and local news; and her hilarious “guides” to mud, Band-Aids, bugs, and “poodle poetry.”
Barry has a genius for remembering the odd things kids and grownups do, especially during those times that linger between meanness and joyful innocence. Beyond nostalgia, her deceptively simple art, in all its spareness, breaks your heart and makes you laugh, often at the same time.Pub Date: Sept. 1, 2000
ISBN: 1-57061-260-9
Page Count: 224
Publisher: Sasquatch
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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