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ECHOHAWK

A white child raised by the Mohicans who massacred his parents is given a chance to choose which world will be his in this probing, thoroughly researched first novel. Jonathan is only four when he's dragged from the hollow log in which he'd been hiding; eight years later, as Echohawk, he remembers his previous life only in occasional dreams. Nonetheless, his wise adoptive father, Glickihigan, sends him to the settlers' school for a year to learn English and, he explains, ``the ways of the people you were born to . . . someday you may feel a pull toward them.'' Durrant's focus is less on plot or character—though she avoids typecasting and provides comic relief with the byplay between Echohawk and his feisty little brother—than on observing the cultural changes as whites move in and indigenes die or move on; the appended glossary, bibliography, and endnotes sharpen this sociological slant. Though Echohawk feels the ``pull'' of his old life, he leaves school when he learns that his intolerant schoolmaster plans to spirit him away to Boston. With his village wiped out by disease, and, in reawakened memories, his recognition of Glickihigan's role in the deaths of his parents, Echohawk faces a path that will be a solitary one. A prequel to Last of the Mohicans? No, Durrant avers, but it makes a natural lead- in. (Fiction. 10-13)

Pub Date: Sept. 20, 1996

ISBN: 0-395-74430-X

Page Count: 181

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones.

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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