Veteran biographer Gordon ballasts Eliot’s listing reputation with a weighty volume that combines—with heavy revisions and some new additions—her well-received partial biographies Eliot’s Early Years (1977) and Eliot’s New Life (1988). Eliot’s decision to frustrate biographers hampered Gordon’s first two books (as well as Peter Ackroyd’s incisive complete life in 1984). Since then, Eliot’s early correspondence and the apprentice poems Inventions of the March Hare have been published, and Gordon has assiduously tracked down correspondence and manuscripts that the Eliot estate has not put under embargo. Her thesis, first stated in Eliot’s Early Years, that his poetic output, from the Modernist despair of The Waste Land to the sacred quests of Four Quartets, should be interpreted as an essentially coherent spiritual biography is reinforced in this newest volume. Delving into Eliot’s reading, from Jules Laforgue’s submerged religious obsessiveness to Lancelot Andrewes’s sermons, Gordon puts Eliot’s religious conversion to an idiosyncratically Puritanical Anglo-Catholicism in the context of his family’s Bostonian Unitarian tradition and New England Calvinism, although she also believes his search for saintliness was a failure. For what she calls a “public hermit,” the difficulty of mapping an inner life is further complicated by Eliot’s loathing of self-revelation, in both his private and public existence. Gordon also deals with his flaws: anti-Semitism, misogyny, and a penchant for scatological verse are among the most glaring. As Gordon laid out in her second volume, one of Eliot’s worst personal failures was his inability to commit to a shared life with Emily Hale, whom he had known since 1913. Despite Gordon’s painstaking reconstruction of this crucial relationship here, much remains unsaid: Eliot had Hale’s letters to him destroyed, and his to her are sealed until 2019. Whatever Eliot’s biographic blanks, An Imperfect Life intelligently charts his lifelong “escape from personality.” (b&w photos, not seen)
Pub Date: Aug. 1, 1999
ISBN: 0-393-04728-8
Page Count: 672
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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