OBSERVATIONS BY GASLIGHT

Veteran Sherlock-ian Faye returns to Victorian London with six tales whose principal novelty is their variety of narrators.

The indispensable narrator, of course, is opera singer Irene Adler, who gets the most memorable story. The journal and scrapbook entries collected in “The Adventure of the Stopped Clocks” show her rising concern over a dubious stock trade involving her husband Godfrey’s two brothers, whose entanglement with “Baron” Dickie Maupertuis leads her to consult her adversary-turned-ally Holmes. Henry Wiggins, the leader of the Baker Street Irregulars, recalls his first encounter with Holmes concerning his fears about Dr. Vincent Manvers, the self-proclaimed Lullaby Doctor whose designs on the neighborhood children in “The Song of a Want” are genuinely creepy. Inspector Geoffrey Lestrade, troubled by the abuse his sister suffered at the hands of her husband, forms a reluctant partnership with Holmes to solve the mystery of “Our Common Correspondent,” and Holmes takes the more fresh-minted and eager Inspector Stanley Hopkins under his wing to reveal the disappointingly anticlimactic source of the dismembered arm washed up in a teak box in “The River of Silence.” Holmes and Watson’s landlady, Martha Hudson, adds surprising revelations about the pair’s economic arrangements when Watson’s ailing cousin Edward upends their household in the not very mysterious “A Life Well Lived.” The most obscure narrator is A. Davenport Lomax, the sublibrarian Watson consulted in “The Adventure of the Illustrious Client” without ever allowing him to speak, who brings to Holmes’ attention a truly poisonous text in “The Gospel of Sheba.” Faye’s straight-faced editorial apparatus—a brief “Note From the Editor,” an Introduction by Henry Wiggins, now a London solicitor, and extensive “About the Contributors”—rounds the collection off in high style.

Meat and drink for fans of the Canon of the Sacred Writings.