Smart and suspenseful; top-notch popular fiction.
Ophelia finally gets some agency in this contemporary reboot of Hamlet—with a few characters from other Shakespearean works thrown in for good measure.
When she was engaged to Benjamin Dane (the novel’s Hamlet character), Lia was an alcoholic performance artist. Now, after their very bad, very final breakup, she creates flower arrangements for the Three Sisters Floral Boutique, managed by a trio of strange ladies who might well have wandered in from Macbeth and who seem to put those bouquets to magical use. Lia also finds herself appearing in Ben’s dreams as he anguishes over the recent death of his father, owner of the New World’s Stage Theatre, and the swift remarriage of his mother, Trudy, to brother-in-law Claude. To help him prove Dad wasn’t a suicide, Ben summons his grad school buddy Horatio, who’s still getting over the one-night stand with Ben that sent him scurrying back to London. The upending of gender stereotypes continues: Claude seems too much of a nonentity to be a murderer while it’s increasingly apparent that smooth-as-silk Trudy will stop at nothing to get what she wants. Benjamin’s philosophical ramblings, unfortunately, make it obvious that contemporary prose rarely has the savor of Shakespeare’s verse, but Bardolators will enjoy the clever changes Faye rings on his storylines and characters. (Robin Goodfellow is far more sinister than he was in Midsummer Night’s Dream.) Readers attracted to the book by Faye’s stellar track record with historical mysteries will find she’s got the same knack for wicked surprises that she demonstrated in her terrific trilogy about 19th-century NYC “copper star” Timothy Wilde (The Fatal Flame, 2015, etc.). She dishes out two fabulous plot twists: one very much in keeping with the original Hamlet, one that reveals Machiavellian hidden depths in a bloviating minor character. The ending is just as bloody as Shakespeare’s and nearly as poignant.
Smart and suspenseful; top-notch popular fiction.Pub Date: Aug. 10, 2021
ISBN: 978-0-525-53589-8
Page Count: 384
Publisher: Putnam
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
