Beautiful, haunting and completely original, Roya’s tale is a 12-course meal of intelligent storytelling. (activities,...
An intricate, sophisticated and dreamy story of a teen’s hunger for not only food, but the world she’s built in her imagination.
In a near future where drought and poverty are the norm, teenage Roya longs for a rich midnight feast so she might forget her worn surroundings—but when she finally stays up for it, is not what she hoped. As with developer Slap Happy Larry’s previous effort, The Artifacts (2011), this app is packed with telling details, ripe artwork and an underlying melancholy. Moody, dark-hued painted pages detailing Roya’s daily life alternate with “B-pages” in which Roya’s mind fills with daydreams, nightmares or literal interpretations of things she hears or thinks; when she imagines her parents laughing their heads off, it’s shown. Many of Roya’s mental wanderings are less disturbing and more transcendent: She imagines a dance hall of shadowy partners in the body of her father’s guitar or a movie theater filling with popcorn. The sum of striking visuals, smartly restrained audio cues, subtle voice acting, unobtrusive narration and navigation, and always-relevant iPad interactive elements is more resonant than overwhelming. Younger readers may be confused and spooked by some of the story’s content; there’s an option to eliminate the “scary sauce” in the story (cleverly represented by a ketchup bottle).
Beautiful, haunting and completely original, Roya’s tale is a 12-course meal of intelligent storytelling. (activities, reading notes) (iPad storybook app. 9-16)Pub Date: July 30, 2013
ISBN: N/A
Page Count: -
Publisher: Slap Happy Larry
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
BOOK REVIEW
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted...
Versatile Newbery Medalist Creech (A Fine, Fine School, p. 862, etc.) continues to explore new writing paths with her latest, written as free verse from the viewpoint of a middle-school boy named Jack.
Creech knows all about reluctant writers from her own years of teaching, and she skillfully reveals Jack’s animosity toward books and poetry, and especially about writing his own poems. He questions the very nature of poetry, forcing the reader to think about this question, too. Jack’s class assignments incorporate responses to eight well-known poems (included in an appendix) and gradually reveal the circumstances, and Jack’s hidden feelings, about the loss of his beloved dog. Jack’s poetry grows in length, complexity, and quality from September to May, until he proudly sends his best poem about his dog and a heartfelt thank-you poem to Walter Dean Myers after the author’s school visit. The inclusion of the eight poems is an advantage, because comments on the poems are often part of Jack’s poetry. Others not already familiar with these famous poems, though, might miss the allusions in Jack’s work. (There is no note at the beginning of the book to point the reader to the appendix.) But it’s a quick read, offering a chance to go back and look again. Teachers will take this story to heart, recognizing Miss Stretchberry’s skilled and graceful teaching and Jack’s subtle emotional growth both as a person and a writer.
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted readers. (Fiction/poetry. 9-13)Pub Date: Aug. 1, 2001
ISBN: 0-06-029287-3
Page Count: 112
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...
Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).
Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)Pub Date: Sept. 1, 1998
ISBN: 978-0-374-33265-5
Page Count: 233
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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