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REIGN OF MADNESS

Cullen’s second historical novel about Renaissance-era Spanish royals, this time concerning the “Mad Queen,” Juana La Loca.

Cullen’s challenge is considerable: find a viable story in the life of Juana, daughter of Isabel and Ferdinand, who is known chiefly for having spent 46 years imprisoned by her family as a madwoman. And find it she does, although it only covers Juana’s brief pre-imprisonment life. Ranging from 1493, when Juana, a teenager, first spots the flaws in her parent’s supposedly idyllic marriage, to 1509, when all the shoes of fate finally drop, this is primarily a tale of a woman’s futile struggle against the entrenched patriarchy of her time. As Cristóbal Colón (Christopher Columbus) returns in triumph to her parents’ court, Juana is entranced by his son, Diego Colón. Soon, though, she is married off to Philippe the Handsome, a Burgundian archduke (and Habsburg heir) who rules Flanders. Far from home, she is at first infatuated with her Habsburg husband. However, as the licentiousness of Philippe's court compared to the relative austerity of Queen Isabel’s continues to shock, her Spanish ladies desert her, except for scholarly and chaste Beatriz. Philippe’s infidelities bring an end to the extended honeymoon, as does Juana’s delay in producing a male child. Their son Charles is born, but his deformed jaw (a Habsburg trait) impedes both nutrition and speech; however, Charles will continue the Habsburg dynasty as Holy Roman Emperor. A number of premature deaths has made Juana the heir apparent to the Spanish throne. But Philippe, by spreading rumors of her mental instability (due, he self-servingly claims, to excessive love for him, despite the fact that their marital relations are now mostly forced), manages to impugn Juana’s competence enough to elevate his own rank from King-consort to King. Juana’s ingrained ineptitude at both overt confrontation, and the more acceptable female route of subversive sabotage, will lead to her downfall, as will her passion for the commoner Diego. Although the outcome is known, the suspense never waivers.

 

Pub Date: Aug. 4, 2011

ISBN: 978-0-399-15709-7

Page Count: 448

Publisher: Putnam

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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