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OUT OF THE WOODS

A MEMOIR OF WAYFINDING

Evocative ruminations on getting older and discovering the links between nature and self.

One woman's melancholic search for herself amid the woods of Vermont.

Darling (Necessary Sins, 2007) takes readers on a slow journey of self-discovery, chronicling how she learned the ins and outs of living in rural Vermont. Once her daughter had started college, the apartment they shared in New York City after Darling's husband had died seemed too full of past memories. The author was ready to try her hand at a new adventure: "I would move to Vermont, to the little house I bought. I would buy a dog and live in the country. I would reinvent myself, a woman alone, solitary and self-contained." With that spirit, Darling packed up some belongings and moved to a small, owner-built, somewhat funky house tucked into the woods. Alone and dependent on her own resourcefulness, the author had to learn to navigate the tricky solar-power system and cranky generator, the mice in the ceiling and the collapsing roof on the woodshed. But she was stuck in limbo, unable to unpack, unable to write, unable to face the task of doing, so she ventured outdoors instead. The forest around her was an alien and unreadable landscape, as foreign as the woman she was trying to discover in herself. She stuck to the known paths while the narrow deer trails beckoned to her, egging her on to venture past the safe and narrow roadways. A routine doctor's visit and the unexpected diagnosis of cancer quickly catapulted Darling into foreign territory. From that point, she slowly and methodically discovered her route back to health and self-awareness. Haunting and lyrical, Darling's journey through unknown forests, both physical and emotional, resonates with longings, hopes, fears and a stalwart courage to conquer them all.

Evocative ruminations on getting older and discovering the links between nature and self.

Pub Date: Jan. 7, 2014

ISBN: 978-0-06-171024-7

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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