CITY OF THE UNCOMMON THIEF

In this dark fantasy, a malevolent power lurks in the bowels of a nameless, placeless, timeless city.

Runner Errol Thebes is handsome, heroic, talented, and charismatic; outcast Jamila Foundling is clever, fearless, selfless, and uncanny; bard Odd Thebes is brilliant, lazy, witty, and selfish. A mysterious pair of iron needles draws the three teenagers into a twisty web of magic and intrigue. This trio (and dozens of supporting characters) may be compelling, but the true protagonist is the city: Bounded by massive walls and 1,000 high towers tied together by an intricate net of fly-lines and rooftop runners, it’s a city where no one enters or leaves. The rich, dense prose is studded with lists of names, products, artifacts, even smells, constructing a mosaic world from fragments of languages, a kaleidoscopic narrative from legends and myths, which dazzles, confuses, and exhausts—until suddenly the pattern shifts and coheres into a macabre marvel of a tale. Odd’s sarcastic voice threads seductively throughout the labyrinthine structure, though he’d be the first to admit that he’s a mess, consumed by jealousy, self-pity, and spite. The city’s polyglot culture suggests ethnic diversity, but physical descriptions defy specific identification. While the society lacks racial or gender bias, there is an oppressive class system in addition to life under a brutal quarantine.

Requires extraordinary patience and attention but pays off with an immersive reading experience that will linger.