What does it mean to be an American? In her first effort for children, Cheney attempts to answer this question as well as encapsulate the entire history of the US through the familiar device of an alphabet book. Glasser’s (You Can’t Take a Balloon into the Museum of Fine Arts, below, etc.) cheerful watercolor-and-ink illustrations are the greatest strength of this ambitious project, with endearing children of all colors, kinds, and cultures, and dozens of historical figures and sites rendered in carefully researched detail. Each page or spread includes a topic sentence, several smaller related vignettes, a large initial letter framing a related illustration, and often a border incorporating a hand-lettered quotation. Packing all this information onto the page requires a crowded, busy design (a challenge met quite well by the designer), and some very small treatments of type, which are really too small for most children to read by themselves. The multiple illustrations on each page preclude reading the volume aloud to a group, although the information and the concepts will work well in elementary classrooms. The most likely use for this is for teachers and parents who want to teach their children about US history, citizenship, and patriotic concepts, probably focusing on just a few pages rather than the whole volume at once. Though the concept and busy design require some extra effort, this well-meant exploration of our history and heritage packs a huge amount of information between its covers. (author’s note) (Nonfiction. 6-11)
Pub Date: May 21, 2002
ISBN: 0-689-85192-8
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2002
BOOK REVIEW
A substantive and affirming addition to any collection.
An impressive array of names, events, and concepts from Black history are introduced in this alphabet book for early-elementary readers.
From A for anthem(“a banner of song / that wraps us in hope, lets us know we belong”) to Z for zenith(“the top of that mountain King said we would reach”), this picture book is a journey through episodes, ideas, and personalities that represent a wide range of Black experiences. Some spreads celebrate readers themselves, like B for beautiful(“I’m talking to you!”); others celebrate accomplishments, such as E for explore(Matthew Henson, Mae Jemison), or experiences, like G for the Great Migration. The rhyming verses are light on the tongue, making the reading smooth and soothing. The brightly colored, folk art–style illustrations offer vibrant scenes of historical and contemporary Black life, with common people and famous people represented in turn. Whether reading straight through and poring over each page or flipping about to look at the refreshing scenes full of brown and black faces, readers will feel pride and admiration for the resilience and achievements of Black people and a call to participate in the “unfinished…American tale.” Endnotes clarify terms and figures, and a resource list includes child-friendly books, websites, museums, and poems.
A substantive and affirming addition to any collection. (Informational picture book. 6-11)Pub Date: Dec. 8, 2020
ISBN: 978-1-5235-0749-8
Page Count: 64
Publisher: Workman
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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