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A REAL DAUGHTER

A morbidly eerie and artfully crafted psychological thriller.

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A mother loses her infant child, and her grief haunts her attempts to start afresh in this novel.

Claire leaves Vermont and moves to Los Angeles, reinventing herself as a landscape gardener. She becomes romantically involved with a high school history teacher, Jake, but hides her past, neglecting to tell him about her baby Sarah’s mysterious death more than five years ago, or about her marriage that fell apart thereafter. Jake finally tells her about his own living 8-year-old daughter, Mandy, two years older than Sarah would have been, if the latter were still alive. Claire and Jake become closer as a couple, but Mandy’s ungovernably rambunctious behavior, and her father’s bottomless indulgence of it, becomes a sore spot between them. After Claire and Jake get engaged, Claire becomes pregnant, and she spontaneously reveals to Mandy that she once had a child who passed away. Mandy’s response is chilling: “Sarah was a spoiled baby….You hugged her too much….No wonder she died.” However, Mandy keeps the secret to herself, which Claire interprets as a tactical maneuver—a calculated ploy to maintain power over her. Claire also becomes plagued by emotionally wrenching memories of her late daughter, some which reduce her to sobs, and she seems increasingly unable to distinguish between imaginative reveries and lived reality. Then Claire’s vision of her child demands to meet Mandy, and Claire begins to feel that her pregnancy is somehow a betrayal of her lost daughter—a defiling of a womb that rightfully belongs to Sarah. Debut author McKelvey has a gift for conjuring and maintaining a sepulchral atmosphere of expectancy. As the plot progresses, the reader will become gradually and tantalizingly aware that he or she is being led to a dramatic crescendo. The author depicts Claire’s disconnectedness from reality with immersive effectiveness—it becomes hard, even for readers, to distinguish between her melancholic dreams and her dangerous hallucinations. A principal element of suspense fiction is the pace of disclosure, and the author manages this perfectly, effectively doling out enough information to keep the plot intelligible but not so much that it dispels the mounting sense of mystery. For example, Claire’s brother, Roger, is a pediatrician, and he’s still bewildered by his patient Sarah’s death, thinking that “There must have been something I missed.” Then Claire tells readers that she knows precisely why Sarah died—but reservedly leaves it an enigma. At times, Mandy’s character seems painted in overly rough strokes, as she’s not merely a spoiled brat but also cunning and darkly clever: a preteen monster. Also, there’s something vaguely but creepily sexual about the bond between Mandy and Jake, a distasteful aspect that’s emphasized when Mandy joins the newlyweds on their honeymoon. But such hyperbole also helps to amplify the fact that Claire and Jake share a grasping possessiveness about their respective daughters. Indeed, Claire’s territoriality is all the more unsettling because it extends to the dead—and even to her memories of the dead.

A morbidly eerie and artfully crafted psychological thriller.

Pub Date: Oct. 4, 2017

ISBN: 978-0-9972472-5-1

Page Count: 316

Publisher: Savant Books and Publications

Review Posted Online: Dec. 18, 2017

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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