THE MUSEUM OF EVERYTHING

What would you put in your own museum exhibits?

Perkins’ great gifts for observation and connections are on display here as her narrator—a young White person—serves as curator and tour guide for several “museum exhibits” of concrete objects and abstract phenomena. “When the world gets too big…I like to look at little pieces of it, one at a time,” the narrator says. The result is a small, idiosyncratic catalog of possibilities and a lens for seeing parts of the world in relation to one another. Anything might belong in an exhibit: skirts made from flowering shrubs, all the hiding places in a room, shadows, the sky. One exhibit is a meditation on islands, perspective, and scale: An island could be a stone in a pool on a rock in a pond on an island in the ocean. Perkins uses a palette of rich bright colors in these dioramas and collages. Found items become foliage for bushes, shadow-box items, sandy shorelines. A realistic-looking book dissolves into clouds. Because the text is conversational, quietly speculative, and low-key, there is plenty of room for readers to think about and celebrate their own ways of seeing, collecting, and cataloging the world—and to celebrate an endless variety of possible museum exhibits around them. (This book was reviewed digitally with 9.3-by-22.6-inch double-page spreads viewed at 23.6% of actual size.)

Poetic, intriguing, and charming.