Banks (The Key to the Cupboard, 1998, etc.) introduces a highly appealing character in an ultimately disappointing novel. Nine-year-old Alice Williamson-Stone loves to write stories, so much so that when her teacher gives the class an assignment to write about themselves, Alice can’t stop and writes a full-length autobiography. Alice—spunky, resilient, creative, and funny—has had her share of hard knocks and sadness. Raised by a single mom, she learns early on that she came into life “by accident” (hence the title) and that her father wanted to play no part in her life. Alice’s mother does the best she can, but she is often overwhelmed by the job of raising such a feisty girl on her own. Alice’s paternal grandmother Gene, a famous English actress, enters Alice’s life when Alice is three. She often takes Alice to the theater and ballet, encourages her love of books and art, and even takes her on a trip to Spain. Gene is the second most important person in Alice’s life, and the void that’s left when Gene and Alice’s mother, who have always had a hostile relationship, have a final row and Gene is suddenly out of Alice’s life, is enormous. But despite Alice’s likable personality, this is not Banks at her best. The story is often confusing, with many jumps back and forth in time. Many plot elements are hard to buy—for example, it’s difficult to believe that Gene could so easily drop out of Alice’s life when she knows there are no other adults in Alice’s life, aside from her mother. In fact, all the adults here come up rather short. The deliberate misspellings—“applord” for applaud, “dier emerjency,” “ile” for aisle, “ortobiography” for autobiography—and deliberate grammatical mistakes will be confusing for children. The cover illustration depicts a girl of 14 or 15, while Alice is 9 and 10 during the course of the story. Although the reading level is 9 to 13, many of the older kids in that age range will resist reading about a child that much younger than themselves (the reason, perhaps, behind the misleading cover). (Fiction. 9-13)
Pub Date: June 30, 2000
ISBN: 0-380-97865-2
Page Count: 144
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
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