A valiant effort, but Schwartz doesn’t quite pull it off.
Schwartz’s tenth (after Referred Pain, 2004, etc.) may be her riskiest, as it intertwines her familiar fictional territory with the 9/11 attacks on the World Trade Center.
Things start on a bright September morning when Renata, a linguist, wakes up in bed with her lover, Jack, a recently divorced social worker. After Jack leaves, Renata decides to walk across the Brooklyn Bridge to work, but, partway across, she hears screaming and looks across the river to see “a huge marigold bursting open in the sky.” With this opening, Schwartz focuses on how the attack evokes past traumas, leaving Renata unmoored and jeopardizing her relationship with Jack. We learn that Renata and her twin sister, Claudia, were close until age 16, when Claudia had a daughter (fathered, it turns out, by their uncle), gave the baby up for adoption, then drowned in a nearby river days later. Renata’s father died in a car wreck within the year, and her mother was institutionalized. When Claudia’s daughter, Gianna, was three, the adoptive parents dumped her on Renata, then 19. At seven, Gianna was snatched from a park merry-go-round, leaving Renata bereft and guilty. Now 34, Renata has trouble trusting Jack, or anyone, to stay in her life. Schwartz describes the emotional flavor of the days after 9/11 with great clarity, using quotes from speeches by the president, the makeshift signs put up by those in search of the missing, the memorials, the connections neighbors made in the midst of tragedy and the exhaustion of those who, like Jack, went to the scene to help. But it all bogs down in backstory, and Renata’s irrational conviction that a mute teenager she finds wandering the streets is her niece isn’t believable. Plus, Schwartz undercuts the emotion in scenes between Renata and Jack with detail about Renata’s linguistic interest in a culture that has many terms for loss.
A valiant effort, but Schwartz doesn’t quite pull it off.Pub Date: June 1, 2005
ISBN: 1-58243-299-6
Page Count: 304
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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