A savvy contribution to current debates.
What good is fiction?
Journalist Gold makes an incisive book debut with a thoughtful, often witty, examination of the causes and consequences of banning novels. “Most of the time,” she writes, “when we get anxious about the effects of fiction, we’re worried about mimetic responses—not so much from ourselves but from other people.” From ancient Greece to present-day America, book banners claim that they are protecting readers from ideas about reality that would harm them or undermine the community’s values. To Plato, for example, tales of gods behaving badly were “always endorsement and a social license for bad behavior.” Gold skewers the justification used by right-wingers that readers—especially children—will mistake a story for reality, “and that this mistake will lead them into unhealthy or disreputable situations.” “Cancel culture,” Gold contends, though not as virulent as outright banning, arises from the same “misguided presumptions” about fiction’s insidious power. For Gold, the crucial question is this: “How much can we expect of art and entertainment to fix our problems with reality, especially under our current economic and political system?” Gold refutes assertions from the left that “viewing and promoting something that the far right dislikes” is “a political act in itself,” and a virtuous act, at that. Reading about climate change, she reminds readers, doesn’t stop global warming. Gold looks at sci-fi, video games, movies, and TV to argue that media companies produce what is in their “financial best interest.” If an anti-capitalist novel were published, she writes, “it would just be a novel: it wouldn’t affect capitalism one way or another.” Still, Gold extols the impact of fiction: “We’re transformed by great writing,” she claims, “not beyond our own powers and capabilities but into them.”
A savvy contribution to current debates.Pub Date: Oct. 29, 2024
ISBN: 9781593767709
Page Count: 352
Publisher: Soft Skull Press
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
For those satisfied with blame-the-victim tidbits of received wisdom.
The noted conservative economist delivers arguments both fiscal and political against social justice initiatives such as welfare and a federal minimum wage.
A Black scholar who has lived through many civil rights struggles, Sowell is also a follower of Friedrich Hayek and Milton Friedman, who insisted that free market solutions are available for every social problem. This short book begins with what amounts to an impatient declaration that life isn’t fair. Some nations are wealthy because of geographical advantages, and some people are wealthy because they’re smarter than others. “Some social justice advocates may implicitly assume that various groups have similar developed capabilities, so that different outcomes appear puzzling,” he writes. In doing so, he argues, they fail to distinguish between equal opportunity and equal capability. Sowell is dismissive of claims that Black Americans and other minorities are systematically denied a level playing field: Put non-white kids in charter schools, he urges, and presto, their math scores will zoom northward as compared to those in public schools. “These are huge disparities within the same groups, so that neither race nor racism can account for these huge differences,” he writes, clearly at pains to distance himself from the faintest suggestion that race has anything to do with success or failure in America. At the same time, he isn’t exactly comfortable with the idea that economic inequalities exist, and he tries to finesse definitions to suit his convictions: “The terms ‘rich’ and ‘poor’ are misleading in another and more fundamental sense. These terms apply to people’s stock of wealth, not their flows of income.” As for crime? Give criminals more rights, he asserts, as with Miranda v. Arizona, and crime rates go up—an assertion that overlooks numerous other variables but fits Sowell’s ideological slant.
For those satisfied with blame-the-victim tidbits of received wisdom.Pub Date: Sept. 19, 2023
ISBN: 9781541603929
Page Count: 224
Publisher: Basic Books
Review Posted Online: Oct. 13, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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