A sadly obtuse updating of Lolita, in which Homes (In a Country of Mothers, 1993, etc.) welcomes us into the private world of a middle-aged pervert whose slow life behind bars allows him ample space to reflect upon his career in pedophilia. The sexual preoccupations that have distinguished much of Homes's prior work are orchestrated here into a pervasive horniness so widespread among her characters as to seem a sort of pandemic obsession set loose on the world. Our narrator—whom we meet doing time for statutory rape, sexual torture, murder, and necrophilia— is an extreme case, but he seems to have found kindred souls at every step of his way. His lunatic mother, for example, gets him off to a good start by raping him in the bathtub not long before she kills herself, and this pretty well establishes the pattern of sexual relations throughout the tale. In prison, Chappy—we're given only his childhood nickname—relaxes by following the adventures of his pen-pal, a Scarsdale coed who knew the girl he murdered and is now in the process of deflowering a 12-year-old boy in the neighborhood while fooling around with his father on the side. Her preoccupations, of course, are the counterpoint of Chappy's own desperate (and apparently genuine) love for Alice, the unfortunate young girl whose fate has landed him in the pen. Homes, however, seems somehow unable or unwilling to accept the parallels that she has so clearly drawn between mental decay and sexual license. In any case, the sex scenes are described with an overriding flatness that makes them less disturbing than bizarre, and Chappy's eventual release on parole (which is sprung as self- consciously as the finale of any thriller) will succeed in offending more than it excites. Overall, confused in conception and annoying in the monotony of its own obsessions: a mad rant. (Author tour)
Pub Date: March 1, 1996
ISBN: 0-684-81528-1
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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